Check out Damian McGinty, one of the winners of The Glee Project, make his Glee debut in a sneak peek from next week’s new episode, “Pot O’ Gold”!
Glee returns next Tuesday, Nomember 1 at 8 p.m. on FOX.
Gleeks rejoice! Season 3 of Glee returns in a couple weeks on Tuesday, September 20!
Check out the newest promo to emerge from the new season!
So, what do we know about season 3 from the promo? Will & Emma are possibly dating, Finn’s getting slushied by the hockey team, Quinn has pink hair, Brittany & Santana are back on the Cheerios, and it looks like a certain lead Warbler has said goodbye to his blazer.
Are you excited for the season premiere? I can’t wait!
Just when I thought the “Born This Way” episode of Glee had a great mix of music; last week’s episode, “Rumours,” which featured songs from the Fleetwood Mac album of the same name, provided some standout vocal performances from our favorite glee clubbers.
Guest star, Kristin Chenoweth (April Rhodes) returned to the show last week, and had a duet with Matthew Morrison (Will Schuster) on the song, “Dreams.” I have always loved Chenoweth and Morrison’s voices together. And Glee always gives them great songs to sing. Chenoweth has such a great tone to her voice and when it’s combined with Morrison’s smooth vocal, the result is just delightful to listen to.
Kevin McHale (Artie) took on the song, “Never Going Back Again.” McHale is usually given the big showstopper songs, but last week he had a little more of a demure track, which I liked. McHale has a big voice, and it’s nice to hear him dial it back and have somewhat of a vulnerable vocal performance. This song really proved McHale to be a truly versatile singer.
But, I must say if anyone had a standout vocal performance with their song last week, it was Naya Rivera (Santana) who took on “Songbird.” Her vocal performance on this track is absolutely stunning. You get a real sense of emotion from this track, which she conveys with such passion. This is the first track Rivera has taken the lead on where I actually believed the lyrics she was singing.
Earlier this week it was announced that the winner of the first U.S. edition of The X Factor will win a $5 million recording contract with Sony Music/Syco. This will be the largest sum of money to be won on television.
Tryouts for The X Factor will kick off Sunday, March 27 in Los Angeles at the L.A. Sports Arena. There will also be tryouts held in Chicago, Dallas, Miami, New York/New Jersey, and Seattle.
Singers and groups must be at least 12-years-old to audition. There is not a cap on the upper age limit.
“I like the idea that a 12-year-old on this show can compete with an older singer and a singing group,” Simon Cowell said in a press release. “I’ve never believed that there should be a cut-off age for talent, and we are going to put our money where our mouths are with the $5 million recording contract. I’m doing this show in America, because I genuinely believe we can find a superstar.”
The X Factor debuted in the U.K. in 2004, and has been the #1 show for the past seven years. The show has been #1 in 15 territories, and has a worldwide audience of over 100 million.
For more information on The X Factor and for more details about auditioning, check out the show’s official website.
Originally posted on BlogCritics.
It was a long summer, fall and start of winter, but American Idol is back for their tenth season and I am ready! New judges, new contestants, and a new feature! Welcome to “Idol Wired”!
Alright, so my favorite reality show that drives me crazy on a weekly basis from this Wednesday through the end of May is back, and I came up with what changes that I would like to see this season as American Idol turns 10.
Keep the spotlight on the contestants
There have been shake-ups at the judges’ table since season eight, which have garnered much more attention than deserved. I think once the initial shock of the new faces at the judges’ table wears off this season, the show needs to adjust it’s attention back to it’s contestants.
I think one way to do this is to show more of the contestant’s personality in the pre-performance videos. Last season we learned that Lee DeWyze worked at a paint store. What we didn’t learn is that he’s fairly hilarious. Most fans learned this during the summer Idol tour meeting him before and after the shows.
I think over the past couple seasons, the audience really hasn’t been able to connect with the contestants, which is in part why last season wasn’t as successful as previous seasons.
Judges should be clear and concise with their post-performance critiques
I think the judge’s critiques on Idol should be like Twitter. You need to get out what you want to say about the contestant’s performance in 140 characters or less. I feel that the judges should be able to let the contestants know if they liked or disliked the performance with a reason backing their opinion in a reasonable amount of time. Plus, if the judges didn’t talk so much it could allow for slightly longer performances from the contestants.
No more lip-syncing during the group numbers
One of the things that bothered me during both seasons eight and nine of Idol was the very apparent lip-syncing during the group numbers. I know that a lot of the time they pre-tape the group performances before the live elimination, which means there really isn’t any excuse for not singing live. I don’t care if they have to auto-tune the crap out of the vocals, but singing live would be more legit than shooting a live music video.
Continue reading Idol Wired >> Five Changes I Hope to See During ‘American Idol’s’ Tenth Season