Last week’s episode of Glee, “Hold On To Sixteen,” featured seven tracks, which included the return of both Chord Overstreet (Sam) and The Glee Project’s Lindsay Pearce (Harmony).
Let’s be real. Overstreet’s returning song on Glee should have been Justin Timberlake’s “SexyBack.” Am I right? I’m kidding … kind of. Of all the songs for Overstreet to sing upon his return to the show, Toby Keith’s “Red Solo Cup” was not an option that I was anticipating. But with Glee, as always, expect the unexpected. Unfortunately, this track really felt out of place amongst the rest of the episode’s songs.
I thought that Pearce did an amazing job on “Buenos Aires” from Evita. Man, this girl can sing. She exudes so much energy and personality when she sings, you can’t help to be drawn in. I know she was originally only allotted two episodes per The Glee Project, but from what we’ve gotten to hear from her this season, it would behoove them to figure out how to keep her character relevant. I can’t possibly be the only person that wants to hear Pearce on more than the two fantastic tracks she’s contributed to this season.
I must admit that this week’s Glee tracks are possibly the best collection of songs they’ve put together for a single episode in awhile. The running theme of the songs is “by ladies and for ladies,” as declared by Cory Monteith’s character Finn Hudson during this week’s episode.
You can’t have an episode called, “I Kissed a Girl,” without having one of the tracks this week be Katy Perry’s hit, “I Kissed a Girl.” I mean, I guess you could, but Glee loves them some Katy Perry music, so it was kind of inevitable. Taking the lead on this track is Naya Rivera (Santana) and Lea Michele (Rachel). Granted, Glee didn’t do anything particularly special with the arrangement, but the song is just as much fun to listen to as Perry’s original.
Rivera really gets to show off her vocal prowess alongside Idina Menzel (Shelby) on KD Lang’s “Constant Craving.” I feel like with each episode that Rivera gets pushed a little more to show how talented she is, and what better way to prove it than pairing her up with Menzel. Both individual vocal performances were impressive and when combined, the two singers sound just stunning.
Among my favorite moments in each season of Glee have been the episodes that highlight song mash-ups. This season’s mash-ups for the most part lived up to their predecessors and one particular track stood out as probably the best mash-up Glee has ever done.
In an episode chock full of medleys, Mark Salling’s (Puck) take on Van Halen’s “Hot For Teacher” was the only solo track. I don’t think Salling gets enough credit for his vocal versatility. He showed a more vulnerable side of his voice earlier this season on a Foreigner track and, this week, we got to hear more depth and fullness in his singing. I think this was one of the better vocal performances we’ve gotten from him, actually. Cory Monteith (Finn) could also be heard on the track, and his voice pairs nicely with Salling’s.
On to the mash-ups, Idina Menzel (Shelby) and Matthew Morrison (Will) sang a medley Lady Gaga’s “You And I” and the Eddie Rabbitt/Crystal Gayle duet “You And I.” On paper, one wouldn’t think this could work, but surprisingly it does. I’m not sure that I’m quite sold on the pairing of Menzel and Morrison as duet partners, however. That said, I liked that Menzel had the bulk of the mash-up, because she really redeemed herself from season one’s recording of Gaga’s “Poker Face,” of which I was never a huge fan. Overall, I found the double dose of “You And I” to be a success.
This week’s episode of Glee, “The First Time,” features the cast covering music from the acclaimed musical West Side Story and the return of the Warblers.
Lea Michele (Rachel) and Darren Criss (Blaine), who on the show are playing Maria and Tony in McKinley High’s production of West Side Story, are highlighted on tracks “Tonight” and “One Hand, One Heart.”
In general, I think that Lea Michele can handle whatever piece of music is thrown her way, so it should be no surprise that she reigns supreme on these two tracks. Over the past couple seasons, listeners have been made aware of just how truly talented she is, and with these songs she packs a one-two punch. And Criss is no slouch, either. His voice comes across strong and pure on both tracks. He demonstrates a lot of vocal control and sounds wonderful in contrast to Michele.
Naya Rivera (Santana), whose character also took part in the production as Anita, also pairs up with Michele this week for a duet. Both singers showcase their strong points during “A Boy Like That.” Michele’s voice ascended to operatic heights during the song, however, I’m going to give the edge to Rivera, who proves she can offer the show so much more than the occasional Amy Winehouse cover. She really captures the drama of that scene between Anita and Maria in her voice and it translates beautifully to the ears.
Rivera’s vocal performance on both “A Boy Like That” and “America” are truly standout moments for her this week. I would go out on a limb and say this is the best she has sounded throughout her entire time on the series. Rivera displays rich vocals that are full of personality and pizazz. These songs allow for the singer to show some range and depth to her voice, which is a joy to listen to.
Glee returns this week with its latest episode, “Pot O’ Gold.” The episode features five tracks, two of which are sung by one of the winners of The Glee Project, Damian McGinty, who is making his official debut on Glee as Rory Flanagan.
Naya Rivera (Santana) and Amber Riley (Mercedes) take on Christina Aguilera’s hit “Candyman” this week. It’s definitely a song that allows Rivera and Riley to showcase their vocals, being that they both have big voices with great range. I love this song because it’s so fun and bubbly, but when it comes down to it I would rather listen to Aguilera’s original. I don’t feel like either Glee singer brings anything new to it to distinguish it from the original. And let’s be real: no one can hit that last big note like Aguilera can.
Just when I had finally gotten Katy Perry’s “Last Friday Night (T.G.I.F.)” out of my head, Darren Criss (Blaine) manages to drill it back into my brain. Glee really doesn’t divert from the original track, but having a guy take on the lead vocal breathes new life into the song. Criss is an excellent choice to take the reins on this one, because not only does he have the most pop voice out of all the guys in the cast; he’s got a great track record of turning Perry’s songs into Glee hits. His cover of “Teenage Dream” went on to be Glee’s biggest-selling song last season. I can only imagine how long it will take for this latest track to become the show’s next big top seller. Continue reading Music Review >> Glee Cast – “Pot O’ Gold”
Season three of Glee kicked off last week, which means my love for Gleeked out cover songs is on like Donkey Kong!
The music from the season premiere, “The Purple Piano Project,” included songs from The Go-Go’s, Barbra Streisand, Tom Jones, Anything Goes, Annie Get Your Gun, and Hairspray.
The Go-Go’s’ “We Got The Beat” features Lea Michele (Rachel), Naya Rivera (Santana), and Heather Morris (Brittany) on lead vocals. All of the ladies sound pretty fantastic. As much as I enjoy Michele’s voice. It was nice to hear her share the vocal spotlight with Rivera and Morris. Overall, what I really enjoy about this track is that it feels that Glee is going back to basics with this season’s music by making songs from the 1980s staples in our iTunes playlists.
Keepin’ it real, I have to admit that I did not watch much of The Glee Project this summer. I maybe caught about four episodes, so it shouldn’t surprise you that I had no idea what to expect when Lindsay Pearce (Harmony) took her turn in the spotlight this week.
Pearce took on a mash-up of “Anything Goes”/“Anything You Can Do” from Anything Goes and Annie Get Your Gun. Oh my gosh. I truly hope this isn’t the last we hear from Pearce this season, because her voice is phenomenal! The closing notes on the song give me chills just thinking about it. Definitely check out her track this week.
Holy cow, this is awesome! Gwyneth Paltrow joined the Glee cast last night to perform “Forget You” during their tour stop in East Rutherford, NJ. Check out the video from the show below!
I thought Gwyneth sounded great! I love that she made a guest appearance, since “Forget You” was such a huge hit during season two.
How do y’all think Gwyneth did? And what other Glee guest star or even regular cast member (Matthew Morrison, I’m talking to you!) would you like to see pop up on the Glee! Live! tour before it wraps up in the states?
I came across this video on Twitter earlier today, and it’s basically the cutest thing ever. Check it out!
A certain Glee cast member also saw the video and tweeted his thoughts!
That mini Warbler is all sorts of adorable! (And that guy that plays a Warbler on TV isn’t so bad himself!)
Included in the last batch of Glee tracks which could be heard in last week’s season two finale “New York” were four new original songs, Matthew Morrison’s latest single, and one of the best duets from the entire season.
It wouldn’t truly be Glee without one final mash-up of the season. The mash-up of Madonna’s “I Love New York” with On The Town’s “New York, New York” is interesting. Glee definitely sped up the tempo from the original Madonna song, which gave it more of a pop feel and kind of took away the song’s edge. I did like Cory Monteith (Finn) and Naya Rivera (Santana) on lead vocals together. It’s nice to mix up the Lea Michele/Monteith leads every so often. I like that Glee kind of put in the effort this season to let Rivera shine a little more.
I couldn’t help, but crack up a little at Mark Salling (Puck), Chord Overstreet (Sam), and Kevin McHale’s (Artie) “Bella Notte,” which is from Disney’s Lady and The Tramp. It’s one of those songs that you don’t expect to hear on Glee, but it’s still just oh-so charming. The song is sung well by all three guys. I like that it’s not overtly cheesy, and would fit nicely alongside other tracks on your Glee playlist.
Matt Morrison (Will) took a turn in the spotlight with “Still Got Tonight,” which was co-written by American Idol season eight winner, Kris Allen. The song is Morrison’s current single off of his recently released debut album. Crossover promotion at it’s finest! I really like this song. I think it’s a great mid-tempo pop track that I hope does well for Morrison.