As Seen On Blogcritics – Page 15

Music Review >> Glee Cast – “The Sue Sylvester Bowl Shuffle”

Glee returns this Sunday for a special episode that’s airing right after Super Bowl XLV. This new episode contains four brand new tracks from the Glee Cast.

Lea Michele (Rachel) and Mark Salling (Puck) duet on the popular Lady Antebellum song, “Need You Now.” I have always wanted to hear these two sing a duet together, so it is such a treat to have it happen. The two singers were given a great track to sing, that fits pretty perfectly with their ongoing storyline.

I really liked that Michele and Salling didn’t try to do carbon copies of the original vocals for this track. Michele has a beautiful voice for ballads. I feel like sometimes she does struggle with the more contemporary tracks, but “Need You Now” fits her voice like a glove. Salling really adapts his voice well for this track, and really shows a softer side of his vocals that the audience doesn’t hear too often from him. Singing together on the chorus, both singers sound fantastic. The singers’ vocals compliment each other, and have personally left me wanting another duet from them.

I think Cory Monteith sounds good on lead vocals on the Glee version of The Zombies’ “She’s Not There.” The tone of his voice was really nice. However, during the chorus with all the guys from New Directions singing together, I felt like I was being yelled at. That doesn’t work for me. I don’t want to sing-a-long when I feel that I am being yelled at.

In the upcoming episode, we once again hear from Dalton Academy’s Warblers who sing Destiny’s Child hit song, “Bills, Bills, Bills.” The song features cast member Darren Criss (Blaine) on lead vocals.

Criss is showing some vocal versatility on his part with this track. If you’ve listened to his EP, you kind have the idea that he’s more of a folk-pop singer. He really embraced the spirit of this track and infused the attitude of the lyrics into his vocal. I really liked hearing Criss on an R&B track, because it allowed him to show a more soulful side to his voice.
Continue reading Music Review >> Glee Cast – “The Sue Sylvester Bowl Shuffle”

Music Review >> Yellowcard – “For You, And Your Denial”

It’s been four years since Yellowcard released their last album, Paper Walls, and this spring the band (Ryan Key, Sean Mackin, Longineu “LP” Parsons, Ryan Mendez, and Sean O’Donnell) are releasing When You’re Through Thinking, Say Yes. Key said that taking a break before releasing this album was, “absolutely the best possible choice we could have made as a band.”

“The fact that we had that time to refocus and recharge individually made working together for the first time in two years so much more exciting. The possibilities were endless again,” he said.

The band signed with Hopeless Records last fall, before heading into the studio to record with Neal Avron, whom Key referred to as the sixth member of the band while putting together an album.

The result of Yellowcard’s hard work is their forthcoming fifth studio album which features the band’s latest single, “For You, And Your Denial.”

The track has a familiarity about it. The guitar work has similarities to the band’s huge hit, “Ocean Avenue,” which to my ears isn’t a bad thing. I definitely think taking a part of what made your original hit big and building on it from there is what makes this new song work.

“For You, And Your Denial” is upbeat and catchy, which makes you want to listen to the track over and over again. Musically, the band sounds fantastic and Key’s voice sounds stronger than ever. Overall, I think that the song is a great re-introduction to Yellowcard and their music.

“For You, And Your Denial” is available on iTunes and Amazon now. When You’re Through Thinking, Say Yes is due out March 11.

For more information on Yellowcard, check out their official website.

Originally posted on BlogCritics.

Idol Wired >> NOLA Has Talent!

American Idol headed to New Orleans for the next batch of auditions, and to my delight there was talent to be found! Now, we’re not talking like an overabundance of talent, but there were a few good voices that left me overall feeling pretty good.

My personal favorites from the auditions in New Orleans were Brett Loewenstern, Jacee Badeaux, and Sarah Sellers.

Sixteen-year-old Brett Loewenstern from Boca Raton, FL sang Queen’s “Bohemian Rhapsody.” His voice is fantastic. The kid has got some pipes. Plus, he has this crazy awesome curly red hair. His look and his voice don’t seem like they would match up, but that’s what we all said about Clay Aiken back in season two. I like contestants like Loewenstern, because just when we are ready to judge a book by it’s cover, they just go ahead and surprise the heck out of you.

Another one of the contestants that I really enjoyed was 15-year-old Jacee Badeaux from Lafayette, LA. He sang Otis Redding’s “Sitting on the Dock of the Bay.” His voice is incredible for his age. That said, Badeaux being all of 15-years-old makes me wonder what happens if he goes far in the competition and his voice starts changing? I don’t know how well that would work in his favor.

I am concerned about Badeaux’s age. I’m not sure if lowering the age limit for Idol auditions was the best decision. I see the show’s motive behind it. They’re definitely looking for the Idol this year to be the next big thing. Badeaux just seems like a sweet kid, and I truly fear that he’s going to buckle under the pressure and stress of “Hollywood Week.” I know there have been younger contestants on the show before, including season six’s winner Jordin Sparks, who won when she was 17-years-old, but somehow they seemed a little more mentally prepared and ready to be thrust into the Idol machine.
Continue reading Idol Wired >> NOLA Has Talent!

Funeral Party to Release Their U.S. Debut on March 29

Named one of the “50 Best New Bands of 2010” according to NME, Funeral Party is set to take 2011 by storm with the U.S. release of their debut album, The Golden Age of Knowhere, due out March 29.

Produced by Lars Stalfors (The Mars Volta) and mixed by Dave Sardy (Oasis), the energentic 11-song album will release it’s first single, “Finale” to radio in March. The song serves as a great introduction for those who are first time listeners.
.

While fans await the release of The Golden Age of Knowhere, the band is set to release an EP, Live At The BBC on January 25. Included on the live EP are three exclusive remixes by Dave Sitek, Mike Relm, and Kids of 88. Additionally, a limited edition vinyl version of their upcoming U.S. debut will be released February 15.

After touring with 30 Seconds To Mars overseas last year, Funeral Party is heading out on the road again this spring. The Los Angeles Times referred to the band as a, “ravenously physical, technically precise and impossibly fun live act.”

For more information on Funeral Party, check out the band’s official website.

Originally posted at BlogCritics

Idol Wired: New Judges: So Far, So Good!

American Idol has returned! I have to say, I’ve been quite hesitant about season 10. I am not someone who is fond of change, so with Simon Cowell leaving last season and Steven Tyler and Jennifer Lopez coming on board this go ’round, I have been very skeptical about how well season 10 could go.

Good news, I think Idol has a fighting chance at being pretty entertaining this year. I’m really happy the judges seem to be taking this season seriously for the most part.

To be honest, I haven’t watched the audition rounds prior to “Hollywood Week” since around season five. I really don’t like the bad auditions. I feel like the show wastes a lot of time on them, but tonight’s premiere seemed to have a good balance between good and bad auditions.

I definitely feel like Steven Tyler is going to be the fan favorite. The man is crazy and it will make for good TV. The censors at FOX are going to have a field day with him when the show goes live in a couple months.

Jennifer Lopez was disappointing at first, because it felt like all you had to do was cry in front of her and she’d let you through to the next round.

I think she’s definitely going to be the nurturer on the judging panel like Paula Abdul was. I think Lopez has a lot of empathy for the contestants, but she is going to have to learn how to utilize the word “no.”

Is it just me, or does anyone else think that Randy Jackson is over the moon about being in Simon’s old spot on the panel? You know he just couldn’t wait until it was his turn to give the final word.

I think Jackson is really trying harder to put his foot down, but with Lopez wanting to let everyone through, he’s kind of just letting her walk all over him. Part of me wonders if he was just doing that because it was their first day of auditions. Another part of me wonders if he’s going to be a pushover all season, because the star power on the panel wants to have all the say.

As far as contestants go, there were only a couple that really stuck out to me right away.

Fifteen-year-old Kenzie Palmer sang Carrie Underwood’s “Young and Beautiful.” In my opinion, I thought she had a strong audition. She’s got a fantastic voice and has a good chance to do well in the competition.

The other contestant that stood out to me was 16-year-old Robbie Rosen. He sang The Beatles’ “Yesterday.” It was a clean vocal. He’s got a good voice for pop music. Steven Tyler said that Rosen was “the best of New Jersey.”

Overall, I felt pretty underwhelmed by most of the talent. I think once “Hollywood Week” rolls around, that’s where we’ll start seeing the talent.

One thing the premiere was not light on was sob stories. There was the contestant whose father had cancer and the girl from Kosovo. The episode wrapped with the kid who had been living in a shelter with his family.

Don’t get me wrong. I am all for learning more about the contestants, but I would rather hear them sing first before I learn their back stories. I think once a contestant has made it past “Hollywood Week” and is going to be around for a while, that’s when I want to hear their interests and whatever stories they have to share. I feel like the beginning rounds should be influenced by talent only.

So Idol fans, what did you think about the season 10 premiere of American Idol? How are you feeling about the judges? And what contestant stood out to you during the New York/New Jersey auditions?

Originally posted at BlogCritics.

Idol Wired >> Five Changes I Hope to See During ‘American Idol’s’ Tenth Season

It was a long summer, fall and start of winter, but American Idol is back for their tenth season and I am ready! New judges, new contestants, and a new feature! Welcome to “Idol Wired”!

Alright, so my favorite reality show that drives me crazy on a weekly basis from this Wednesday through the end of May is back, and I came up with what changes that I would like to see this season as American Idol turns 10.

Keep the spotlight on the contestants

There have been shake-ups at the judges’ table since season eight, which have garnered much more attention than deserved. I think once the initial shock of the new faces at the judges’ table wears off this season, the show needs to adjust it’s attention back to it’s contestants.

I think one way to do this is to show more of the contestant’s personality in the pre-performance videos. Last season we learned that Lee DeWyze worked at a paint store. What we didn’t learn is that he’s fairly hilarious. Most fans learned this during the summer Idol tour meeting him before and after the shows.

I think over the past couple seasons, the audience really hasn’t been able to connect with the contestants, which is in part why last season wasn’t as successful as previous seasons.

Judges should be clear and concise with their post-performance critiques

I think the judge’s critiques on Idol should be like Twitter. You need to get out what you want to say about the contestant’s performance in 140 characters or less. I feel that the judges should be able to let the contestants know if they liked or disliked the performance with a reason backing their opinion in a reasonable amount of time. Plus, if the judges didn’t talk so much it could allow for slightly longer performances from the contestants.

No more lip-syncing during the group numbers

One of the things that bothered me during both seasons eight and nine of Idol was the very apparent lip-syncing during the group numbers. I know that a lot of the time they pre-tape the group performances before the live elimination, which means there really isn’t any excuse for not singing live. I don’t care if they have to auto-tune the crap out of the vocals, but singing live would be more legit than shooting a live music video.
Continue reading Idol Wired >> Five Changes I Hope to See During ‘American Idol’s’ Tenth Season

Ear Candy >> Avril Lavigne — “What The Hell”

It seems that Avril Lavigne is continuing to embrace the pop side of her musical self that we were introduced to on her 2007 album The Best Damn Thing. The infusion of pop in her music is continuing to work out in her favor. Her latest single “What The Hell” (co-written and produced by Max Martin) was released earlier this week and climbed to number three on iTunes within a matter of hours.

Lavigne continues to do what she does best, which is make songs that people, especially women, can relate to. “What The Hell” is about tossing caution to the wind in life and relationships, and doing things that we normally wouldn’t do. What person doesn’t at least daydream about doing this?

The melody sounds pretty simple upon first listen, but when you listen closely there are a lot of layers to the track which in turn give it that kick of fun, bop-around-to-it-pop sound.

Overall, the song is produced well, the beat is catchy, and the lyrics are relatable and easy to sing-a-long to. Those are definitely the necessary ingredients of a hit song in the making.

“What The Hell” is available of iTunes now. Avril Lavigne’s fourth studio album, Goodbye Lullaby is due out March 8.

For more information on Avril Lavigne, please visit her official website.

Take a listen to “What The Hell” below.

Originally posted on BlogCritics.

Follow me on Twitter! @KirsCoachman

Brooke White and Randy Jackson Discuss Their Upcoming TV Movie, ‘Change of Plans’

You probably best remember Brooke White as the lovable and talented folk-pop singer-songwriter from American Idol season seven, winning you over every week with performances like “Let It Be” and “You’ve Got a Friend.” White is making her acting debut in the movie Change of Plans, which is apart of FOX’s Family Movie Night, airing this Saturday at 8 p.m.

White plays Sally Danville, a singer-songwriter married to fighter-pilot, Jason (Joe Flanigan). She learns that her best friend from college died while serving in the Peace Corps; on top of that, Sally also learns that she has been named the legal guardian of her friend’s four kids, three of whom were adopted from third-world countries. Sally and Jason have to adapt quickly into parenting, learning how a change of plans sometimes becomes something better than they could have imagined for their lives.

Earlier this week during a conference call, White and the movie’s soundtrack producer, American Idol judge Randy Jackson, discussed Change of Plans, the lack of hit songs coming from the Idol winners and former contestants, and what’s in store for the tenth season of American Idol.

White explained that she had not set out to do any acting in her post-Idol career, and the opportunity for the movie came out of nowhere. She said that she was “shipped off to Toronto” for filming within a couple days after being cast in Change of Plans. She was initially nervous on set, but was soon bit by the acting bug. The hardest part of her new gig? The wake-up calls.

“What can I say was the hardest part about acting? Probably my 4:30 a.m. pick up every day. That was probably the hardest part. I have to say, there were certain technical aspects I wasn’t super savvy to, but other than that it felt super natural just to get in,” she said.

“I think I was concerned [about memorizing lines]. I’ve been known to forget lyrics here or there. I was worried I would forget a line or two. But really, it wasn’t a big deal, you get in there, memorizing the dialogue isn’t a big deal when you get there. I thought it was more fun, than hard.”

White mentioned that she had just watched Change of Plans a couple days ago, and experienced what she called the “answering machine syndrome,” while listening to herself talk during the movie.

Continue reading Brooke White and Randy Jackson Discuss Their Upcoming TV Movie, ‘Change of Plans’

Best of ‘Glee’ Music in 2010

After reviewing the music from Glee for a good part of the year, I have compiled what I believe to be the 10 best tracks recorded by the Glee cast in 2010.

10. “Faithfully”

The duet between Lea Michele and Cory Monteith of Journey’s “Faithfully” was New Directions lead in song during Regionals. I am a huge fan of both of their singing voices. Michele and Monteith seem to compliment each other very well. This song is what I thought to be their shining moment singing together during the last part of season one.

9. “Beautiful”

Amber Riley has had some amazing vocal performances this year, but it was her rendition of Christina Aguilera’s huge hit song, “Beautiful” that really blew me away. The song allowed for Riley to show off multiple facets of her vocal range, as well as sing a powerful message.

8. “Stop! In The Name of Love/Free Your Mind”

This mash-up from season two features all the Glee guys from New Directions. I really enjoyed this track, and the guys sounded great. I have to add that Chord Overstreet sounds really charming during his verse. I thought the track was well-produced, and who would have ever thought that Diana Ross and EnVogue would meld well together into one song?

7. “Toxic”

It was a toss-up decision between this and “Me Against the Music,’ which I thought was another great track from the Britney Spears themed episode at the beginning of season two. I picked this track, because I really liked what they did with using the harmonies in place of instruments. Plus, it was nice to hear Matthew Morrison singing with the rest of the cast.

6. “Bad Romance”

The Glee ladies, along with Chris Colfer really nailed the essence of this song on the head. This track is infused with a lot of personality, which is what makes it just as much fun to listen to as the original Lady Gaga version.

Continue reading Best of ‘Glee’ Music in 2010

Music Review >> Darren Criss – ‘Human’

Darren Criss made a huge impact during his first singing appearance as Blaine on Glee in episode 2×6, “Never Been Kissed.” As a fan of Glee, I definitely took notice of his presence, and I’m pretty sure I’m not the only one.

The Glee version of Katy Perry’s hit “Teenage Dream,” which features Criss on lead vocals, hit number one on iTunes selling 214,000 copies during it’s first week according to Entertainment Weekly.

Criss independently released his acoustic EP Human this past summer. In five tracks, the singer-songwriter proves that he is the real deal.

Human touches on the basic emotions that we all experience throughout our lives, like love, heartbreak, and jealousy. Criss’ voice exhibits sincerity and passion in each of the songs on his EP.

One of the songs, “Not Alone,” which Criss performed live at the Trevor Project benefit earlier this month, showcases his vocal range from his larger drawn out notes to his falsetto. The chorus also happens to be quite catchy. I promise that you will be singing-a-long by the end of the song. Also, there’s a feeling of truthfulness in the lyrics, which serves almost as a reminder that we’re all capable of these emotions that make us inevitably human.

Production-wise, one can only imagine what Criss could accomplish if he had the time to record a full-length studio album with a full band. For recording the EP at home, the overall sound is pretty good. It’s nice to hear Criss’ raw vocals that are not glossed over by studio magic.

Listeners can experience soul-filled songs from a very talented Criss, who demonstrates great potential with his EP.

For more information on Darren Criss, check out his official website.

Definite Downloads: “Not Alone” and “Jealousy”

Originally posted on BlogCritics.

Follow me on Twitter! @KirsCoachman