Category: TV

Idol Wired >> The Top 24 Are Revealed!

Finally, we have 24 contestants moving onto the American Idol semifinals. We’re making progress, everyone! Of course, getting to this point meant sitting through four of the longest hours of my life to find out officially which contestants had made the Top 24.

To be honest (and this might be an unpopular opinion), I thought that first hour of Idol Wednesday night during the Las Vegas round was a huge waste of time. I didn’t care to watch group rounds again, and more than that, I don’t care to hear songs of The Beatles being sung by people other than The Beatles.

This episode we got to see Idol’s in-house mentor Jimmy Iovine sit in on some of the rehearsals, and oh my, I think he’s definitely going to be a presence when it comes to contestants working on their songs. He just got straight to the point and held nothing back. He wasn’t sugarcoating anything or sparing anyone’s feelings. His involvement on the show this season is going to be interesting.

The only two performances from Vegas Cirque du Soleil LOVE stage that I cared for were from Tim Halperin and Julie Zorrilla who performed “Something” and Paul McDonald and Kendra Chantrelle who performed “Blackbird.”

In case I haven’t mentioned it already, I am definitely a fan of Halperin’s voice. His vocals paired wonderfully with Zorrilla’s.

I also really like McDonald’s voice. There’s a James Morrison meets Rod Stewart vibe going on there, and I dig it.

The second hour of Idol Wednesday night was dedicated to revealing a portion of the Top 24. This hour and the two hours on Thursday night were so long, I felt like lifetimes were passing by as the show slowly revealed the Top 24.

The contestants got to perform one more final song, and then they walked down the ridiculously long walkway to sit with the judges to find out if they were in or out.
Continue reading Idol Wired >> The Top 24 Are Revealed!

Music Review >> Glee Cast – “Blame It on the Alcohol”

Glee channeled Jamie Foxx, Human League, George Thorogood, and Kesha in this week’s episode, “Blame It on the Alcohol.” It’s only fitting that the cast of Glee perform “Blame It (On The Alcohol),” since it is where this week’s episode got it’s namesake from.

Kevin McHale (Artie) and Amber Riley (Mercedes) take the lead on the Jamie Foxx hit. They both sound really good. Riley got to showcase a much more controlled vocal than usual. I appreciated that McHale’s voice wasn’t weighed down with auto-tune. Mark Salling (Puck) and Naya Rivera (Santana) also are highlighted on this track. Both of their vocals suit the R&B stylings of “Blame It.” As someone who really likes Foxx’s original track, I found the Glee version to be just as enjoyable to listen to.

Darren Criss (Blaine) and Lea Michele (Rachel) team up for a duet of an amped up version of Human League’s “Don’t You Want Me.” It’s not surprising at all that their voices sound great together. There seems to be a touch of auto-tune going on in the production, but neither singer sounds unrecognizable. Criss’ deep vocals provides a subtle sexiness to the track.

Dot-Marie Jones (Coach Beiste) makes her Glee music debut this week, doing a duet with Matthew Morrison (Will Schuester) on the George Thorogood version of the John Lee Hooker song, “One Bourbon, One Scotch, One Beer.” According to TVLine.com, this was Jones’ first time recording a song ever, and to be honest I think she did a pretty decent job. It was a little strange to hear Morrison singing country, but I liked their duet.

Heather Morris returns to the Glee spotlight, as she takes on Kesha’s monster hit, “Tik Tok.” I was pretty excited when I heard Glee was going to be covering this song, because it’s really fun and upbeat. After hearing the Glee version, I wish they would have just left well enough alone. Morris doesn’t infuse the song with any personality vocally like the original. It just felt like a weird Kidz Bop cover with the backing vocals and the auto-tune. For the most part, I think this week’s tracks were pretty good. The music supervisors did a great job with picking songs that went hand-in-hand with the episode’s theme. Production-wise, I really think Glee dropped the ball with “Tik Tok,” as that song could have sounded so much better.

The music from Glee’s “Blame It on the Alcohol” episode are available now on iTunes. Glee airs Tuesday nights 8:00-9:00 p.m. ET on FOX.

Originally posted on BlogCritics.

Idol Wired >> Hollywood Drama

This week’s episodes of American Idol were packed with talent, tears, and drama that make “Hollywood Week” the must-see episodes of the season. It also lets you see a very real side to the contestants. However, seeing some of the contestant’s candidness was not always very flattering. In other words, Clint Jun Gambia, dude you’re toast. But we’ll get to him in just a bit.

Idol chose to mix it up this year with the group rounds. Contestants had make up their group with participants from both group one and group two from the first round of “Hollywood Week” auditions.

Remember the days of Idol when contestants would just group up and make it work? Yeah, that wasn’t flying this week. Contestants were making other contestants audition to get into their groups. It’s a brilliant move, but at times just seemed kind of rude.

I have also never seen so much footage of parents in Hollywood with their underage child/Idol contestant. I think they should have let their kids work a little more independently on their group routine and wait to be asked for pointers, but a couple of these moms were a little too much to handle.

James Durbin (totally over him, by the way) weighed in on the stage moms, and told the cameras that there shouldn’t be young kids in the competition. Really showed a little bit of a cocky side to him. I think he was just jealous that the group of teens were about to wipe the floor with his group, as they were both performing Queen’s “Somebody To Love.”

A quick word of advice to Mr. Durbin: You really need to stop inserting the screechy note into every one of your performances. It’s not necessary. But if you’re going to repeat the path of Siobhan Magnus and toss that note in during each of your performances, you should aim to be on key.

I think the biggest foul of the group rounds was Clint Jum Gambia kicking young Jacee Badeaux out of his group in favor of Scotty McCreery. Gambia didn’t think that Badeaux’s voice fit with the rest of the group, so he sent him on his way. Badeaux ended up joining up with Brett Loewenstern’s group.

If Gambia makes it past the Las Vegas round next week into the Top 24 where the viewers vote, I don’t think he has a chance in hell making it to the main stage. He completely shot himself in the foot by kicking Badeaux out of his group. Plus, he’s managed to come off as completely obnoxious this week. Good work, Gambia.
Continue reading Idol Wired >> Hollywood Drama

Music Review >> Glee Cast – “Comeback”

I currently have the lyrics to Justin Bieber’s hit song, “Baby” playing on a loop in my head.

“Baby, baby, baby ooh…baby, baby, baby ooh…baby, baby, baby ooh…”

Not cool, Glee. Not cool at all.

I have seen The Biebs perform on TV a couple of times, but never bothered to sit down and listen to his music. I had my own Justin Bieber when I was 16, but his name was Brian Littrell and he was a Backstreet Boy.

When I initially heard that Glee would be getting Bieber-friendly, I must admit that I cringed. Upon remembering that this show is set in high school, and that Bieber is pretty much “the dude” right now, it then made sense that the kids in glee club would like his music.

So, how was Glee’s take on Bieber? Not bad, actually. I can’t even believe I’m about to say this, but after taking a listen to the lyrics and the melody, I have come to realize that Bieber has well-written and catchy tunes. This would be why the chorus to “Baby” has not left my brain.

Chord Overstreet (Sam) sings The Bieb’s enormous hit, “Baby,” and I think pop music is definitely his niche. He isn’t the strongest male singer in the cast, but Glee’s “Blond Bieber” does quite well for himself on this song.

I wasn’t surprised at all to hear Kevin McHale (Artie) doing the rap breakdown in the song. He proves again that he can flow pretty well.

Overstreet, McHale, Mark Salling (Puck), and Harry Shum Jr. (Mike) perform Bieber’s “Somebody To Love.” I have come to the conclusion that when the Glee guys are rocking a pop song, they sound at the top of their game.
Continue reading Music Review >> Glee Cast – “Comeback”

Idol Wired >> The San Francisco Treat

Since I spend a good portion of my week in San Francisco, you can imagine that I was excited to see how the American Idol auditions went in the city by the bay.

In case you had forgotten, Idol reminded us that Adam Lambert had initially auditioned in San Francisco. Aw, remember the days when Idol would find ridiculous amounts of talent? (Psst…seasons seven and eight, I miss you!)

It’s not that the singers shown weren’t talented, it’s just that they don’t seem as quality as prior contestants. I personally was looking to be wowed by the contestants and that definitely didn’t happen during the San Francisco auditions.

What I appreciated about this particular episode of auditions was that more good auditions were shown overall. And of course there were enough sob stories to fill the hour-long episode, but being that this was the last night of auditions, I was expecting them.

I really didn’t have any personal favorites from this set of auditions. However, there were a couple singers that I am looking forward to hearing from during the “Hollywood Week” round.

Matthew Ness from Huntington Beach, CA had some amazing big notes during his audition. Steven Tyler called the 25-year-old, “a diamond in the rough.”

Stefano Langone, the 21-year-old from Kent, WA sang Marvin Gaye’s, “I Heard It Through The Grapevine.” He has a Bruno Mars quality to his voice. Very smooth vocal.
Continue reading Idol Wired >> The San Francisco Treat

Music Review >> Glee Cast – “Silly Love Songs”

Glee is getting lovey-dovey this week with the song selections from their Valentines’ Day-themed episode, “Silly Love Songs.”

For the second episode in a row Kevin McHale (Artie) takes a Michael Jackson hit. In his episode, he’s singing “P.Y.T (Pretty Young Thing).” Out of all the males, I think McHale was definitely the right choice to sing this song. His voice has the right tone and flavor to pull this song off. I think it was important for him and the show to not have a carbon-copy vocal, but still manage to keep the essence of the song intact, and I think they succeeded on both levels.

This week Mark Salling (Puck) is singing Queen’s “Fat Bottomed Girls.” I know this song fits in with Puck’s storyline for the episode, but I feel like the song was in the wrong key for him. At times it sounded like he was straining to hit the higher notes. Because of this, I have to wonder if the backing vocals are purposely drowning his voice out. It seems depending on the song selection for him, Salling’s vocal performances continue to be very hit or miss this season.

We’re treated to two songs from Dalton Academy’s Warblers during the episode. Per usual, the vocal stylings of Darren Criss (Blaine) are featured on both tracks. First up with Robin Thicke’s “When I Get You Alone,” Criss continues to impress. His vocal performance is flirty and has some swagger to it, which really adds to the song overall. There’s a big note that he hits at the end of the song which is absolutely fantastic. I really like that the Warblers sing songs that are more pop/R&B, because it distinguishes their style from New Directions.
Continue reading Music Review >> Glee Cast – “Silly Love Songs”

‘The X Factor’ To Award Winner $5 Million Recording Contract

Earlier this week it was announced that the winner of the first U.S. edition of The X Factor will win a $5 million recording contract with Sony Music/Syco. This will be the largest sum of money to be won on television.

Tryouts for The X Factor will kick off Sunday, March 27 in Los Angeles at the L.A. Sports Arena. There will also be tryouts held in Chicago, Dallas, Miami, New York/New Jersey, and Seattle.

Singers and groups must be at least 12-years-old to audition. There is not a cap on the upper age limit.

“I like the idea that a 12-year-old on this show can compete with an older singer and a singing group,” Simon Cowell said in a press release. “I’ve never believed that there should be a cut-off age for talent, and we are going to put our money where our mouths are with the $5 million recording contract. I’m doing this show in America, because I genuinely believe we can find a superstar.”

The X Factor debuted in the U.K. in 2004, and has been the #1 show for the past seven years. The show has been #1 in 15 territories, and has a worldwide audience of over 100 million.

For more information on The X Factor and for more details about auditioning, check out the show’s official website.

Originally posted on BlogCritics.