Moving to Baby’s Beat

Writer/director Edgar Wright and actor Ansel Elgort discuss the musically infused, high-octane heist film, Baby Driver


To quote the film’s opening song “Bellbottoms” by The Jon Spencer Blues Explosion: “Ladies and gentlemen, right now I got to tell you about the fabulous, most groovy” film of the summer—Baby Driver. Written and directed by Edgar Wright (of the Three Flavours Cornetto trilogy), Baby Driver is a thrilling action movie that’s uniquely in step with the music being listened to by talented getaway driver, aka “young Mozart in a go-cart,” Baby, played by actor Ansel Elgort (The Fault in Our Stars).

In the film, Baby, who following an ill-fated car crash that resulted in tinnitus or “a hum in the drum,” as charismatically explained by his boss Doc (Kevin Spacey), is constantly plugged into his rotating iPod collection to drown out the noise. Driving to settle a debt with Doc, Baby is teamed up with gun-toting pros Buddy (Jon Hamm), Darling (Eiza Gonzalez) and Bats (Jamie Foxx) to help pull off a string of audacious daytime heists. “Driven by the music,” the unabashedly genre-crossing Baby Driver makes for quite the action-packed cinematic experience. I recently had the opportunity to sit down with both Wright and Elgort during their recent press stop in San Francisco to discuss the film and its noteworthy musicality.

Continue reading Moving to Baby’s Beat

Advertisements

Music Review >> Glee Cast – “Blame It on the Alcohol”

Glee channeled Jamie Foxx, Human League, George Thorogood, and Kesha in this week’s episode, “Blame It on the Alcohol.” It’s only fitting that the cast of Glee perform “Blame It (On The Alcohol),” since it is where this week’s episode got it’s namesake from.

Kevin McHale (Artie) and Amber Riley (Mercedes) take the lead on the Jamie Foxx hit. They both sound really good. Riley got to showcase a much more controlled vocal than usual. I appreciated that McHale’s voice wasn’t weighed down with auto-tune. Mark Salling (Puck) and Naya Rivera (Santana) also are highlighted on this track. Both of their vocals suit the R&B stylings of “Blame It.” As someone who really likes Foxx’s original track, I found the Glee version to be just as enjoyable to listen to.

Darren Criss (Blaine) and Lea Michele (Rachel) team up for a duet of an amped up version of Human League’s “Don’t You Want Me.” It’s not surprising at all that their voices sound great together. There seems to be a touch of auto-tune going on in the production, but neither singer sounds unrecognizable. Criss’ deep vocals provides a subtle sexiness to the track.

Dot-Marie Jones (Coach Beiste) makes her Glee music debut this week, doing a duet with Matthew Morrison (Will Schuester) on the George Thorogood version of the John Lee Hooker song, “One Bourbon, One Scotch, One Beer.” According to TVLine.com, this was Jones’ first time recording a song ever, and to be honest I think she did a pretty decent job. It was a little strange to hear Morrison singing country, but I liked their duet.

Heather Morris returns to the Glee spotlight, as she takes on Kesha’s monster hit, “Tik Tok.” I was pretty excited when I heard Glee was going to be covering this song, because it’s really fun and upbeat. After hearing the Glee version, I wish they would have just left well enough alone. Morris doesn’t infuse the song with any personality vocally like the original. It just felt like a weird Kidz Bop cover with the backing vocals and the auto-tune. For the most part, I think this week’s tracks were pretty good. The music supervisors did a great job with picking songs that went hand-in-hand with the episode’s theme. Production-wise, I really think Glee dropped the ball with “Tik Tok,” as that song could have sounded so much better.

The music from Glee’s “Blame It on the Alcohol” episode are available now on iTunes. Glee airs Tuesday nights 8:00-9:00 p.m. ET on FOX.

Originally posted on BlogCritics.