Concert Review >> Lee DeWyze at Mix 106.5’s Very Merry Mixxer

Last week, Lee DeWyze took part in Mix 106.5’s Very Merry Mixxer alongside Angel Taylor and the popular band, Plain White T’s.

He performed second that night, and kicked off his eight-song acoustic set with “Earth Stood Still.” He followed up with a slightly altered version of “Dear Isabelle.” DeWyze changed up the melody just slightly, making the song sound more upbeat.

DeWyze has found balance in his vocals between a soft and subtle vocal and his larger notes. I definitely prefer the stripped down versions of the songs versus the polished studio tracks, because they showcase his true rough around the edges musical style and folk-pop vocals.

One of the highlights from DeWyze’s set was his take on Leonard Cohen’s “Hallelujah.” His performance was stunning.

I’ve always really liked DeWyze’s voice on this song, and during this particular moment at the show, I was just in awe. It was a fantastic performance.

The other big highlight of the night was “Brooklyn Bridge,” which DeWyze closed his set with. This song should always be performed acoustically; The sentiment behind the lyrics comes across much more powerful.

DeWyze’s stage presence has definitely come a long way from his American Idol days. He bantered a bit with the crowd about how he had been playing his guitar a little too hard, and how much he’s enjoying playing his songs off of Live It Up.

The one thing that I would have changed about DeWyze’s set would be the order of his set list. He played his current single “Sweet Serendipity” in the middle of his set instead of singing it last, which I thought was odd. I would have rearranged his entire set to make it flow a little bit better.

I found DeWyze to be pretty entertaining. His vocals were really on point, and the crowd seemed to love him.

For more information on Lee DeWyze, check out his official website.

Complete set list:

“Earth Stood Still”
“Dear Isabelle”
“Beautiful Like You”
“Sweet Serendipity”
“Hallelujah”
“Live It Up”
“A Song About Love”
“Brooklyn Bridge”

Originally posted on BlogCritics.

Music Review >> Josh Kelley — ‘Georgia Clay’ EP

Josh Kelley’s upcoming full length album Georgia Clay is due out in spring of 2011, but in the meantime he’s released a three-song EP to give his fans a taste of what’s to come.

Kelley has spent the last two years working on his latest album and has been making people take notice of his talent while on tour with Miranda Lambert.

“I am super excited about these songs,” Kelley said in a press release. “These are the perfect three songs for a three-song EP to give people a little taste of what’s to come.”

The EP kicks off with Kelley’s current single, “Georgia Clay” which he wrote with his brother Charles Kelley of Lady Antebellum.

The song came about after reminiscing about an old truck their father used to let them drive in highschool.

“I said, ‘Man, if there’s still some Georgia clay underneath it, if that Georgia clay could speak what would it say?’ It would have seen our childhood and seen Charles and I experiencing our first everythings,” Kelley said.

“Georgia Clay” definitely has that storyteller feel about it. Kelley has a strong vocal, and the tone of his voice makes you believe the sentiment behind the song.

The Kelley brothers collaborated again on the track, “Ain’t Letting Go” along with Patrick Davis. It’s an uptempo song that Kelley described as a guy having a phone conversation with his girlfriend’s answering machine.

“A Real Good Try,” which was written by Kelley is by far my favorite track on the EP. The overall feel and tone of the music are fantastic. The song came across as rather inspiring.

Upon first listen of these three songs, I couldn’t believe how much of Kelley’s sound has changed. And as much as I like these new tracks, I can’t help but wonder what happened to the guy from the 2005 Almost Honest album. I really feel like these songs are toned down in comparison to his previous albums.

Josh Kelley’s Georgia Clay EP is out now.

For more information on Josh Kelley, check out his official website.

Originally posted on BlogCritics.

Kris Allen Fans Raise Money For Music Empowers

It takes extraordinary fans to do extraordinary things. Most fans attend live shows to see their favorite performer, maybe buy a t-shirt, and sometimes will wait after the show for an autograph. Fans of American Idol-winner Kris Allen have taken their support of the singer to a new level.

Alright With Music was formed by fans of Kris Allen that hope to raise $25,000 for the Music Empowers Foundation by December 31. Kris Allen

“Kris has taught us about the important work done by the Music Empowers Foundation, which provides funding to non-profit organizations that offer innovative music programs in under-served areas,” the group stated in a press release earlier this week.

Music Empowers founder Andy Davis said that the foundation is “incredibly honored” by the current fundraiser.

“Kris has become an amazing advocate for music education,” Davis said in a press release. “This year, his support of organizations like Music Empowers has helped to bring music education programs to about 100,000 kids.”

So far Alright With Music has already managed to raise over $9000 for Music Empowers.

Alright With Music originated earlier this year as Team Alright With Moo, a group of fans that raised over $25,000 this past June in honor of Allen’s 25th birthday for Heifer International.

To learn more about Alright With Music and how you can donate, please visit their website.

For more information on Kris Allen, check out his official website.

Originally posted on BlogCritics.

Music Review >> Music From ‘Glee,’ Episode 2×9, “Special Education”

Glee headed to Sectionals in the latest episode, and provided an interesting soundtrack for the listening audience.

I have to applaud whoever is in charge of giving Chris Colfer (Kurt) such great songs to sing so far this season. His version of “Don’t Cry For Me Argentina” from Evita proved to be one of his best vocals ever on the show. Colfer seems to be really blossoming this season, and I look forward for what’s to come.

In addition to Colfer’s fantastic rendition, there is also a full recording of Lea Michele (Rachel) singing “Don’t Cry For Me Argentina.” Michele shows vocal restraint and shows a vulnerability while singing the song, that really makes you take notice. With Glee highlighting the latest pop hits every week, it’s refreshing to hear Michele singing songs that truly capture her talent.

Naya Rivera (Santana) finally takes the lead this week with her rendition of Amy Winehouse’s “Valerie.” He voice is a perfect fit for this type of song. It’s a saucy vocal, and Rivera really captures the attitude and vibe of the song.

Dianna Agron (Quinn) and Chord Overstreet (Sam) duet on the Bill Medley and Jennifer Warnes song, “(I’ve Had) The Time of My Life” from the popular Dirty Dancing soundtrack. I was happy to hear these two getting their chance in the spotlight again this season, but I know that there has to be a song that compliments their vocals better this one. Agron couldn’t pull off the bigger notes that were noticeably being sung by Amber Riley (Mercedes) on the track. Maybe it was Overstreet’s vocal phrasing, but I didn’t feel like this song showcased him well at all.

It has to be said that the Glee cast has nothing on Florence and the Machine. Their attempt at “Dog Days Are Over” just didn’t capture the essence of the original recording. Riley and Jenna Ushkowitz (Tina) sounded okay on lead vocals, but this song was not the song for them.

Darren Criss made his return this past week with Train’s huge hit, “Hey, Soul Sister” which was performed in the episode by Dalton Academy’s Warblers. The multiple-part harmonies combined with Criss’ voice breathe new life into one of the most over-played songs on the radio.

Overall, I think this was an alright batch of Glee music. I definitely expect more with all the talent in the cast.

Glee airs Tuesday nights at 8 p.m. on FOX.

Originally posted on BlogCritics.

Music Review >> Music From ‘Glee,’ Episode 2×8, “Furt”

The four songs from the unofficial tribute to Bruno Mars episode of Glee continue the trend of great song choices.

Guest star Carol Burnett and Jane Lynch (Sue Sylvester) sing “Ohio” from Welcome Home. Carol Burnett sounds pretty good on the track. Lynch sounds alright. She’s definitely not a singer, but I can appreciate that she steps up to bat for the show.

Matthew Morrison (Will Schuester) steps into the spotlight singing Michael Buble’s “Sway.” Morrison’s vocals are a great fit for this song – and really that whole genre of music. He’s got the swagger that really is needed for this vocal, and he pulls it off nicely.

I really like that Morrison is being highlighted musically more this season. He was a relatively untapped resource last season, so it’s nice to hear more from him.

Glee seems to be on quite the Bruno Mars kick this year covering not one, but two of his songs this episode, as well as covering “Billionaire” earlier this season.

The first of Mars’ songs that the cast takes on is “Marry You.” It’s a fun ensemble number which is reminiscent of the Journey To Regionals version of “Don’t Stop Believing” where all the couples within Glee Club were the highlighted singers. Cory Monteith (Finn) and Lea Michele (Rachel) kick off the song strong. Dianna Agron (Quinn) and Chord Overstreet (Sam) then take the lead with their part of the song. Their vocals together sound pretty decent.

I can only imagine that it is quite the task to find a song that the Glee cast will all sound good singing, but whoever did the music selection for “Furt” did a really good job. “Marry You” allows the cast to show that they can sing current songs and make them just as good of a listen as the original.

I had to raise an eyebrow at Monteith covering Mars’ current big hit, “Just The Way You Are.” Monteith’s solos this season have been pretty hit or miss, but “Just The Way You Are” is definitely a hit. I find that Monteith’s voice hits it’s sweet spot when he’s singing pop music, and I hope that Glee realizes that this is his singing genre.

The music from “Furt” is a pretty good listen. Young fans of the show will appreciate the current hits being covered. Glee should probably not cover any more Bruno Mars music for the remainder of the season. Three songs in eight episodes is quite enough.

Glee airs Tuesday nights at 8 p.m. on FOX.

Originally posted on BlogCritics.

Tour Talk With Kris Allen

As his tour with Lifehouse comes to a close this week, Kris Allen took some time to talk with me about being on tour the past year supporting different artists, the “Alright With Me” video he did for his fans, and what he thinks is the biggest misconception about his music.

I caught your show the other night in San Francisco, it was great.

Thanks, that was a really fun show.

My friend mentioned after the show that her favorite part about your set was that you’re converting Lifehouse fans in about eight songs or less.

Tell her thanks. That’s kind of what we’re trying to do.

Can you tell while you’re performing that you are drawing people into your music?

I feel like we can tell. It takes about three or four songs. You know they’re like, “Oh, this is fun,” and by the end they’re like “Wow, that was a lot of fun!” And it’s always cool when you can win over the dudes. Girls are probably the best fans that you can have, but when you can win over the guys at a show, especially the older guys, it’s awesome.

Very cool. You’ve supported different bands this year on tour. Is it a feeling of “same thing, different band” or is the vibe different on each tour?

I think it’s a different vibe, you know? We were out with totally different kinds of artists. We went out with Maroon 5, and Keith Urban, and now Lifehouse. Also, I think the vibe really depends on the venue. With Keith, we were playing those monster fairs with like 10,000 people there. With Maroon 5, it was like smaller outdoors stuff, but still pretty big. And with Lifehouse we’re doing theatres. It’s been a blast, it really has been for every one of them.

Is it more intimidating to play a small intimate show or a large venue?

The most intimidating crowd to play for is about five people. When it’s super small and you’re just sitting in a room with friends and they’ll go “Hey Kris, sing us a song,” you’re like, “Oh no, I can’t do that.” It’s really weird.

In the beginning of the tour you had “Man In The Mirror” on the set list, and then switched it out for Tears For Fears’ “Everybody Wants To Rule The World,” what was behind that decision?

I think that it was a conscious decision to say you know what, “Everybody Wants To Rule The World” is a little more upbeat of a song. And we’ve been playing “Man In The Mirror” forever. It was just nice to play something new, and I think when we introduce new stuff into the set everyone gets excited about it. It may not be perfect at first, and it may not even be that great, but we get excited about playing new stuff. Continue reading Tour Talk With Kris Allen

Music Review >> Glee Cast – ‘Glee: The Music, The Christmas Album’

I love Christmas music. I love Glee. The combination of the two results in an album filled with a great mix of classic and contemporary Christmas songs.

Glee: The Music, The Christmas Album goes above and beyond any possible expectations I had before I took my first listen. “Deck The Rooftop,” which is a mash-up of “Deck The Halls” and “Up On The Rooftop,” was completely unexpected. Glee definitely manged to put their twist on two popular holiday songs, and made it into an extremely catchy sing-a-long.

One of the tracks that is already getting a lot of buzz is “Baby, It’s Cold Outside,” which is sung by Chris Colfer (Kurt) and Darren Criss (Blaine). It’s a very sweet duet between the two, and their vocals are superb.

“God Rest Ye Merry Gentlemen,” sung by the Glee ladies, is one of my favorites. The harmonizing is on point, and they seem to be reining in the glory notes a bit, which gives the song a sense of vulnerability, and allows the lyrics to stand in the spotlight.

I really liked Glee’s interpretation on “You’re A Mean One, Mr. Grinch.” The song features Matthew Morrison (Will Schuester) and K.D. Lang. I still watch The Grinch Who Stole Christmas every year, so I really appreciated this song being on the album. Morrison and Lang really capture its spirit.

I have to make mention of Amber Riley (Mercedes), who sings “Angels We Have Heard On High.” On this song, she has a voice to be reckoned with. The arrangement for me left something to be desired, but Riley’s voice makes the song a success.

I have to say that the group harmonizing on this album is fantastic. The Glee cast really have never sounded better. There’s something about Christmas music that really brings the best out of singers.

Glee: The Music, The Christmas Album really exceeded my expectations. The album has a great combined energy of Glee and Christmas spirit.

Glee: The Music, The Christmas Album is available now. The Glee Christmas special airs December 7 on FOX at 8 p.m.

Originally posted on BlogCritics.

Music Review >> Music From ‘Glee,’ Episode 2×6 “Never Been Kissed”

The four songs featured in this week’s episode of Glee pack quite the musical punch.

Diving into the tracks this week, the weakest is definitely the duet between Mark Salling (Puck) and Kevin McHale (Artie) on Bob Marley’s “One Love (People Get Ready).” This song really doesn’t fit Salling’s voice, although when harmonizing with McHale, he sounded pretty good. It definitely wasn’t as good as the other three songs from this week’s episode.

Hands down my favorite track this week was Dalton Academy’s version of Katy Perry’s huge hit, “Teenage Dream.” The song features lead vocals from Glee newcomer, Darren Criss (Blaine). This is a song that I wouldn’t expect to hear covered by a guy, but I thought Glee’s interpretation was wonderful.

The arrangement for this song is great. Replacing instruments with harmonizing does not go unnoticed. The harmonizing is a huge part about what makes Glee’s take on “Teenage Dream” so successful.

I really enjoy Criss’ voice. His voice is a great addition to the cast this season, and I hope that the audience gets to hear more from him.

Onto the mash ups! The Glee girls performed a mash up of the Rolling Stones’ “Start Me Up” and Bon Jovi’s “Livin’ On A Prayer.”

Amber Riley (Mercedes) took the lead on “Start Me Up.” Her vocal provided a saucy and provocative interpretation of the song.

Lea Michele (Rachel) was the featured singer on “Livin’ On A Prayer.” Michele is able to adapt her voice nicely to the song. To really pull off that song’s chorus, you need a booming, powerful vocal. Michele pulled it off without a hitch.

Both of these songs made for quite the rockin’ mash up.

It also occurred to me while listening to this week’s music that last season on Glee, the guys incorporated a Bon Jovi song into their mash up. I wonder if it’s just pure coincidence, or luck in Bon Jovi’s case, that their new greatest hits album just happened to come out the same week one of their biggest hits was covered on Glee.  I thought that was interesting.

The Glee guys did a mash up of The Supremes “Stop! In The Name of Love” and EnVogue’s “Free Your Mind.”

Now, I really like both of the mash ups, but what gives the guys the edge for me is that almost every single one of them is featured as a lead vocal throughout their mash up. Also, these songs brought the best out of the guys (vocally speaking) and collectively they sounded great.

This mash up is definitely a fun listen. Who knew that two songs that are so different musically and lyrically could fit so well together?

I have to say that whoever is responsible for putting together the arrangements for this week’s crop of songs did an incredible job. Glee definitely had a good music week.

Glee airs Tuesday nights on FOX at 8 p.m.

Originally posted on BlogCritics.

Catching Up With Lee DeWyze

Lee DeWyze is one busy dude. Since winning season nine of American Idol he has toured the United States with his fellow Idols, as well as writing and recording his new album Live It Up. He is now gearing up for the release of his album on November 16.

Earlier this week, DeWyze was nice enough to talk with me over the phone about his upcoming album. During the first part of our conversation we talked about the recording process, songwriting and the various collaborators he worked with, and his lead single, “Sweet Serendipity.”

You started recording Live It Up this summer while on the tour with American Idol. What was the recording process like while you were on the road and how much of the album did you complete? And what was the recording process like after you completed the tour?

The recording process was pretty amazing actually. On the tour, I’m trying to focus on that, but I’m also trying to write an album and recording it all. For me, it was a very different process, trying to write an album while being on tour and doing other things while you’re doing it. But, it was great. Working with the people I worked with was great. I had a huge hand in the writing process. Being on 10 of the 11 songs writing-wise was a huge accomplishment, and I really have the label and the people around me to thank for allowing me to do that. That’s who I am as an artist. The fact that I got to accomplish that goal of mine was really awesome.

After the tour was over, I really put in 100 percent. I enjoyed the whole process. And always, there’s ups and downs of it, you run into tiny walls, you get through them and keep going.

So, you wrote on the majority of the album, 10 out of the 11 tracks?

Yeah 10 out of the 11, I worked with various writers. I worked with amazing people. Toby Gad, Dave Hodges, Claude Kelly, Lindy Robbins, John Shanks, Zac Maloy, Espionage, David Glass, I mean the list goes on. Just great people that I got to work with. They helped make the album what it is too, I have them to thank for that.

Okay, so when you are working on a song, what comes first, the lyrics,
the melody, or a little bit of both?

I like to start with music sometimes, once I get the beat in place, I can start to write about it. Melodies are important. I always kind of pride myself on my melodies. For me, it was a little bit of everything.

How many songs did you initially start with before narrowing it down to the 11 that are on Live It Up?

We had quite a few. There are definitely going to be some songs that are offered out there separately from the album. I’m really, really proud of what I have done. All the ones that didn’t make the album, it’s not that they weren’t good songs, it was just that we knew the right songs to go on this first album. I’m happy with the single, I’m happy with title of the album, I’m happy with the whole thing.

Very awesome, you sound really excited. How did you decide on what to title the album, and were there any other possible titles for the album that you had in mind?

I ran a couple different titles through my head, you know Live It Up is definitely kind of the theme of the album. I felt that each one of these songs really had a little meaning [tying to the album title]. It’s a cool little album. I love it. It speaks a lot about me, everything in life, relationships, love, a loss, you know different things that everyone goes through in their life.

Alright, let’s talk about your first single, “Sweet Serendipity.” You were planning to originally release the title track of the album and the night before your single was going to debut on the radio, you switched it to “Sweet Serendipity.” What was behind the change of heart about what song to lead off your album with?

Truthfully, I’m sitting there looking at the whole album, there were a lot of songs that I could’ve picked for the single. They’re all really strong songs. I think “Sweet Serendipity” is the right song for the right time. We put it out there, and it’s a great song. I’m really proud of it.

I like the song and it’s really catchy. It’s a lot more pop than I was expecting.

That’s the thing that I like. There’s everything from pop to rock to broken down acoustic. That’s kind of why I like the album so much. There’s different variety on there, and that’s what I’m about.

How would you describe the overall vibe of the album?

I would call it a reflective album. I would definitely say that there’s something for everybody, regardless of what emotion you’re going through, there’s something on there for you. I just wanted it to be fun. When you come to a live show, I want you to dance and have a good time. I want you to be into the music, it’s really what it’s all about.

Continue reading Catching Up With Lee DeWyze

Music Review >> Good Charlotte – ‘Cardiology’

It seems that the guys of Good Charlotte have done a lot of growing up since their last album release in 2007. Their new album, Cardiology, touches on love, life, and family.

Originally formed in Waldorf, Maryland in 1996, Good Charlotte is Joel Madden (lead vocals), Benji Madden (vocals/guitar), Billy Martin (guitar/keyboard), Paul Thomas (bass), and latest addition Dean Butterworth (drums). To date, the band has sold over ten million albums.

When I talked to Good Charlotte’s guitar player, Billy Martin last month, he said that the recording process for this album was “a rollercoaster ride.” The band originally started recording Cardiology with producer Howard Benson, but decided to go in a different direction when the album wasn’t turning out how the band had originally envisioned it.

“We kind of just pulled the plug and started over later with Don Gilmore, who had done our last record (Good Morning Revival) and our first record (Good Charlotte),” Martin said. “We wanted to try something new with Howard, and it seemed like a good fit, but in the end it just wasn’t. We kept probably six or seven of those songs. We ended up throwing everything away and re-recording with Don and then a handful of new songs came out during the process.”

The result of going back into the studio with Gilmore is 15 of the best songs from Good Charlotte. The beats, melodies, and lyrics on Cardiology are nothing short of fantastic. There are a lot of different sides to this album; it really is as if they took the best parts of their previous albums, then went and made an album that all of their fans could really get behind.

“When I listen to our first records, it’s so innocent, and I think that we really managed to recapture that feeling with this record without actually repeating what we’ve done in the past,” lead singer Joel Madden explains in the band’s press release. “I get the same feeling of excitement listening to the record that I did when we first started making music.”

I have to agree with Madden on this. I feel like this album really throws back to the band’s first album, yet shows the progression of their music at the same time.  A great example of this is “Counting The Days,” which is reminiscent of their first album: it’s catchy, the melody is simple, yet there’s that something extra in the music that amps it up to the level where the band is at today. I think it would make a great choice for their second single.

Speaking of singles, “Like It’s Her Birthday” is a great bridge from Good Morning Revival to Cardiology. The song picks up from the last album, builds on it, and sets a great tone for this new album.

Also, I appreciated that “Like It’s Her Birthday” was not the first track on the album just because it happened to be the first single. The band really succeeded at making this album flow from song to song, making Cardiology a well rounded collection of solid music.

In songs like “Harlow’s Song (Can’t Dream Without You),” “1979,” and “Right Where I Belong,” you can tell how much the band has matured lyrically. These songs are a departure from the angst in some of their music from their earlier times, and the focus is on the good that they have had in their lives.

“A lot of the lyrics on this album are about being in a different place in my life,” Madden said in a press release. “There are some songs like “Harlow’s Song (Can’t Dream Without You)” that are directly about my kids or being in love and how being in a relationship changes the whole experience of my life, but a lot of the lyrics are introspective. Obviously we’re all in different places in our lives, but we’re giving our fans that same honesty we always have.”

As I was listening to the album, I kept envisioning hearing these new songs live, and the one that I think is going to be a huge crowd pleaser is “Standing Ovation.” It’s somewhat of a light-rock song, but has great sing-a-long potential. I think the band’s fans are going to really enjoy this track.

Musically, Cardiology really has its bases covered. There are the catchy pop tunes like “Silver Screen Romance,” the rockin’ party anthem “Last Night,” and the harder rock track, “Alive.” This album definitely shows progression in the band.

Cardiology is due out November 2. For more information on Good Charlotte, check out their official website.

Definite Downloads: “Counting The Days” and “Standing Ovation”

Originally posted on BlogCritics.