Category: Reviews

Music Review >> Glee Cast – “Rumours”

Just when I thought the “Born This Way” episode of Glee had a great mix of music; last week’s episode, “Rumours,” which featured songs from the Fleetwood Mac album of the same name, provided some standout vocal performances from our favorite glee clubbers.

Guest star, Kristin Chenoweth (April Rhodes) returned to the show last week, and had a duet with Matthew Morrison (Will Schuster) on the song, “Dreams.” I have always loved Chenoweth and Morrison’s voices together. And Glee always gives them great songs to sing. Chenoweth has such a great tone to her voice and when it’s combined with Morrison’s smooth vocal, the result is just delightful to listen to.

Kevin McHale (Artie) took on the song, “Never Going Back Again.” McHale is  usually given the big showstopper songs, but last week he had a little more of a demure track, which I liked. McHale has a big voice, and it’s nice to hear him dial it back and have somewhat of a vulnerable vocal performance. This song really proved McHale to be a truly versatile singer.

But, I must say if anyone had a standout vocal performance with their song last week, it was Naya Rivera (Santana) who took on “Songbird.” Her vocal performance on this track is absolutely stunning. You get a real sense of emotion from this track, which she conveys with such passion. This is the first track Rivera has taken the lead on where I actually believed the lyrics she was singing.

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Music Review >> Glee Cast – “Born This Way”

This week’s music from Glee was quite the eclectic mix, but supplied the perfect soundtrack for the “Born This Way” episode.

Glee really brought it with the music this week. I truly enjoyed every track, but the absolute standout for me was the mash-up of West Side Story’s “I’m Pretty” with TLC’s “Unpretty,” which was sung by Lea Michele (Rachel) and Dianna Agron (Quinn).

I usually am not a huge fan of Agron’s vocals, but this mash-up really worked for her. “Unpretty” needs a soft and vulnerable vocal to make it work, and I thought she pulled it off well. I really enjoyed the contrast of her voice with Michele’s and the interchanging “I feel pretty” lines. Both ladies sound fantastic, and it was nice to hear a duet from them.

Cory Monteith (Finn) took on Sammy Davis Jr.’s “I’ve Gotta Be Me.” After listening to this track, I found this to be the best that Monteith has sounded vocally all season. It’s a very clean vocal from him, and his personality is infused throughout the song. I was taken aback a little bit when I saw this song on the track listing this week, but after seeing the episode last night, the song was a great choice for not only Monteith’s voice, but the overall theme of the “Born This Way” episode.

One of my very favorite songs, “Somewhere Only We Know” by Keane was sang by Darren Criss (Blaine) and the Dalton Academy Warblers. Seriously, what can’t this dude sing? Criss has a way of emotionally connecting to every song that he sings. With “Somewhere Only We Know,” the listening audience gets to hear a very vulnerable and sincere vocal performance from him. I definitely think Glee did this song justice. And of course, shout out to the Tufts University Beezlebubs for the great backing vocals.

Chris Colfer (Kurt) returns to the solo spotlight with “As If We Never Said Goodbye” from Broadway’s Sunset Boulevard. Colfer’s vocals on this track are just stunning. The track is truly just absolute ear candy. I am hoping since Colfer’s character has now returned to the New Directions that we will be treated to a couple more solos before the season’s end.

When I found out that Glee was planning on using Lady Gaga’s “Born This Way” for this episode, I thought the song was just too new to utilize for the show. But, what do I know anyway, since this song fit this week’s episode like a glove. With Colfer, Amber Riley (Mercedes) and Jenna Ushkowitz (Tina) on lead vocals, Gaga’s “Born This Way” was hit with a dose of attitude and sass – Glee-style. I am all for uptempo group numbers, and “Born This Way” delivers in a big way.

I think this week’s bundle of Glee music may just be the best of the season, if not a close second after the music from the episode “Never Been Kissed.” Hats off to Glee’s music producers and music supervisors; the song choices and overall production were very much on point this week.

The music from “Born This Way” is available now on iTunes.

Glee airs Tuesday nights at 8 p.m. on FOX.

Originally posted on Blogcritics.

Music Review >> Glee Cast – “A Night of Neglect”

Last week Glee returned with four new tracks to try and make us forget that the show had been on hiatus for a month. The new tracks also marked the return of guest star, Charice.

Charice (Sunshine Corazon) took on the Eric Carmen power balled, “All By Myself.” At the beginning of the season I was wasn’t initially blown away by any means by Charice’s voice, but after listening to the full studio track of “All By Myself,” I now understand why this girl is kind of big deal.

Charice’s vocals on this track are absolutely flawless. Her voice really embraces that feeling loneliness and desperation of the lyrics. Seriously, the girl’s voice gave me chills. If there’s one song from “A Night of Neglect” that is a must-download, it is definitely “All By Myself.”

Gwyneth Paltrow (Holly Holiday) also lent her voice to the music from Glee last week, and took on Adele’s “Turning Tables.” I think we can all agree that this wasn’t an ideal song choice for Paltrow. Adele’s latest album 21 is probably the best thing to come out of the music world so far this year. Having said that, I knew at some point Glee would try to tackle one of her songs.

I think Paltrow gave the song a good old fashioned try, but came up short because she simply doesn’t have the chops to pull this song off. I thought her voice sounded really good in the verses and as it slowly builds up into the chorus. It was her singing in the chorus itself that made the song kind of unbearable to listen to. Paltrow’s falsetto is not one of her strongest vocal features, and I wish that the Glee music producers had adjusted the key in the song that would have been more complimentary to Paltrow’s voice and not as grating on my ears.

I was thrilled to see a track sung by Jenna Ushkowitz (Tina) in last week’s bundle of Glee music. Ushkowitz took on Lykke Li’s “I Follow Rivers.” It is seriously such a shame that Ushkowitz’s voice is not utilized more on this show. She has a fantastic tone to her voice that really is the balance between Lea Michele’s (Rachel) stellar vocals and Dianna Agron’s (Quinn) somewhat lackluster vocals.

I really thought that “I Follow Rivers” really fit Ushkowitz’s voice nicely. I am not familiar with Lykke Li’s catalogue of music, so I can’t really make any kind of comparison, but my ears were in favor of what they heard while I was listening to the track.

The last track to come out of last week’s episode of Glee was Aretha Franklin’s “Ain’t No Way,” which was sung by Amber Riley (Mercedes). This was my other favorite track of the week. I really thought Riley sounds just fabulous on this song. It’s a little dialed back at parts, which I liked. We all know that Riley is capable of hitting some big notes, but it’s nice to hear her have a really nice vocal without as many embellishments upstaging her talent.

The songs from Glee’s “A Night of Neglect” were an interesting mix of songs. After being on hiatus for so long, I guess I expected a song that would really stand out of the pack, and the closest they came to delivering that was with Charice’s “All By Myself.”

Glee airs Tuesday nights at 8 p.m. on FOX.

Originally posted on Blogcritics.

Music Review >> ‘Glee: The Music Presents The Warblers’

If you follow my blog here, then you know that I have already reviewed every Dalton Academy Warbler track that has been released up until this new Glee: The Music presents The Warblers album. Basically, this is going to a scrapbook of a review post, because all reviews from “Teenage Dream” to “Raise Your Glass” are coming from my previous Glee Cast reviews. Just a friendly FYI.

Track 1 – “Teenage Dream“

Hands down my favorite track from “Never Been Kissed” was Dalton Academy Warblers’ version of Katy Perry’s huge hit, “Teenage Dream.” The song features lead vocals from Glee newcomer, Darren Criss (Blaine). This is a song that I wouldn’t expect to hear covered by a guy, but I thought Glee’s interpretation was wonderful.

The arrangement for this song is great. Replacing instruments with harmonizing does not go unnoticed. The harmonizing is a huge part about what makes Glee’s take on “Teenage Dream” so successful.

I really enjoy Criss’ voice. His voice is a great addition to the cast this season, and I hope that the audience gets to hear more from him.

Track 2 – “Hey, Soul Sister”

The multiple-part harmonies combined with Criss’ voice breathe new life into one of the most over-played songs on the radio.

Track 3 – “Bills, Bills, Bills”

In “The Sue Sylvester Bowl Shuffle” episode, we once again hear from Dalton Academy’s Warblers who sing Destiny’s Child hit song, “Bills, Bills, Bills.” The song features cast member Darren Criss (Blaine) on lead vocals.

Criss is showing some vocal versatility on his part with this track. If you’ve listened to his EP, you kind have the idea that he’s more of a folk-pop singer. He really embraced the spirit of this track and infused the attitude of the lyrics into his vocal. I really liked hearing Criss on an R&B track, because it allowed him to show a more soulful side to his voice.

I also have to give mention to the very talented singers, the Beelzebubs from Tufts University, who play The Warblers. Their a cappella skills are like none other that I’ve heard in a while. I think they did a phenomenal job on the backing vocals for “Bills, Bills, Bills.”

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Music Review >> Kimberly Caldwell – Without Regret

A word that comes to mind upon hearing the name Kimberly Caldwell is drive. Caldwell was a contestant during season two of American Idol in 2003. Now, eight years later she’s gearing up to release her debut album, Without Regret.

“I’ve been a performer my entire life and everything I’ve done has led up to this moment,” Caldwell stated in a press release.

Caldwell grew up in Katy, Texas where her love of country music and desire to perform led to her appearing on the original Star Search as a child. She won five times. When she was 12-years-old, her family moved to Branson, Missouri after Caldwell landed a gig with a singing revue called, “Country Tonite.” Three years later, when she was 15, Caldwell was ready to head back to Katy, and be a normal teenager.

American Idol had an audition stop in Texas during their second season of the singing competition. Caldwell auditioned and made it all the way through to the Top 7 in that season’s competition.

Caldwell’s album, Without Regret was produced by Marshall Altman, Tommy Henrikson, John-Mark Baxter Seltzer, and MachoPsycho.

Without Regret overall is a pretty good mix of music. The standout tracks on the album include “Mess of You,” “Heart of Mine,” and Caldwell’s single, “Desperate Girls & Stupid Boys.”

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Music Review >> Jennifer Hudson – ‘I Remember Me’

Jennifer Hudson released her highly anticipated sophomore album, I Remember Me, on Arista Records on March 22. The record is the follow-up to Hudson’s 2008 self-titled debut, which debuted on Billboard’s Top 200 chart at number two. Hudson won a Grammy Award for her debut effort in 2009 for Best R&B Album.

“I’m excited about this album because it’s almost like a renewal for me, reflected through the chapters of my life,” Hudson revealed in a press release. “I’ve called it I Remember Me because of the journey I’ve been on. I’ve learned that life constantly surprises you, no matter your plans. My fans have been so loyal, I feel like they have been on this
journey with me.”

Hudson collaborated with Ryan Tedder, Swizz Beatz, Alicia Keys, and Ne-Yo on her sophomore effort.

The lead off single, “Where You At” a slower, ballad-like song was written and produced by R. Kelly. Hudson performed the single during a recent results show at her old stomping grounds, American Idol.

That was the first time I had ever heard the single, and to be honest, I found it to be quite boring. Even after listening to the recording, the song wasn’t really holding my attention. I will never understand why performers choose ballads to lead off an album. Nothing about that song captured my attention or made me feel like I had to hear the rest of her album.

That said, there are some tracks that did stand out to me on I Remember Me, including “No One Gonna Love You,” “Angel,” and title track, “I Remember Me.”

The album opens with “No One Gonna Love You,” which was produced by Rich Harris. The song has a slight storyteller vibe to it, where Hudson is telling the person she’s singing to that she’s gone through things in her past, but that they won’t hold her back from loving that someone the best she knows how.

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Music Review >> Yellowcard – ‘When You’re Through Thinking, Say Yes’

The roaring violin intertwining with guitar on the opening track of Yellowcard’s latest album, When You’re Through Thinking, Say Yes, was the first inclination to me that this band is most definitely back.

After not working together for two years, Yellowcard (Ryan Key, Sean Mackin, Ryan Mendez, Sean O’Donnell, and Longineu Parsons II) connected with each other via email to exchange demos and song ideas, as going to each other’s homes in Seattle, Los Angeles, and Phoenix to hammer out ideas for their seventh album.

“There’s a really fresh energy to it,” lead singer Ryan Key said in a press release. “We didn’t feel like we had to top something we’d already accomplished; it was almost like writing our first record again.”

Violinist Sean Mackin shares Key’s sentiment stating, “I feel like we’re doing it again for the first time. Everyone is so happy to do this. We remember why we do this and it feels incredible. Yellowcard has always been about good friends enjoying music together.”

After my first listen of When You’re Through Thinking, Say Yes, I felt that the band really just knocked this album out of the park. Everything about the 10-track collection of music was on point. Key’s vocals are stronger and more emotive than ever, the song arrangements are fantastic, and the lyrical content of the songs reveal how this band has grown as not just artists, but as individuals.

Continue reading Music Review >> Yellowcard – ‘When You’re Through Thinking, Say Yes’

Music Review >> Glee Cast – “Original Song”

In this week’s mix of music, Glee offered up three full-length original tracks, as well as three tracks from Dalton Academy’s Warblers, and a solo from Chris Colfer. To be honest, this was probably one of the best weeks for Glee, musically speaking.

Let’s talk about the original songs, shall we? Both “Get It Right” and “Loser Like  Me” debuted after the announcement that there would be original songs on Glee this season a few weeks ago.

Upon first listen, I was semi-horrified at “Loser Like Me.” It’s co-written by the master writer of all pop songs, Max Martin, so I felt like I had to give the song another chance. It’s definitely a Max Martin song. It has a good beat and cheesy, yet catchy lyrics.

I think that it should not have been sung by Lea Michele (Rachel) and Cory Monteith (Finn). I am assuming they were showcased in the song, since it was being used for Regionals, and neither of them were featured in the songs used for Sectionals. I think that Mark Salling (Puck) and Jenna Ushkowitz (Tina) would have been a better fit for the song. Ushkowitz is a wasted talent on the show and deserves her turn in the spotlight.

Michele’s voice on “Get It Right” is phenomenal. I love how her vocals are reined in, and then build up to that wonderful glory note. I seriously got chills while listening to it. I also love how the song related to Michele’s character’s storyline.

The thing with both “Get It Right” and “Loser Like Me” is that they work much better within context of the episode, which is definitely a good thing. I think both songs are pretty good anthems, and hopefully they do speak to the audience. But for me, I probably won’t be singing along to them in my car anytime soon.

“Hell To The No” was the third original song included in with this week’s song releases. Amber Riley (Mercedes) takes the lead on this very much ridiculous track. I just can’t take this song seriously when there’s a line about the previous tots storyline. Also, this is probably Riley’s weakest vocal performance to date. She sounded as if she was shouting throughout the length of the song.
Continue reading Music Review >> Glee Cast – “Original Song”

Music Review >> Glee Cast – “Sexy”

You know that phrase, “catching lightning in a bottle”? I think that is what Glee accomplished the first time with guest star, Gwyneth Paltrow (Holly Holiday). Her rendition of Cee-Lo’s “Forget You” is one of season two’s better tracks. Paltrow even went on to perform the hit with alongside Cee-Lo at this year’s Grammy Awards.

This time around, I felt like the magic was mostly missing from the three tracks Paltrow is featured on this week. That could be because she is not one of those singers that can sing the phone book. She’s good, but she’s not Lea Michele.

To kick things off on a positive note, Paltrow’s take on the Joan Jett song, “Do You Wanna Touch Me (Oh Yeah)” is pretty good. I think Paltrow sounds best when she’s able to infuse some personality into the songs she’s singing. I think that is part of why “Forget You” became fairly popular, that she sounded pretty sassy while she was singing it. This was my favorite of the three Paltrow-dominated tracks this week.

Dalton Academy’s Warblers took on Neon Tree’s hit, “Animal,” this week. I would just like to say that it’s about time that Chris Colfer (Kurt) is featured on a Warblers’ track. Although, both his and Darren Criss’(Blaine) vocals were slightly attacked by the monster known as auto-tune. Colfer and Criss have fantastic singing voices, I don’t completely understand the need to overdo it with the studio magic. Shout out to Tuft University’s Beelzebubs for another job well done with the backing vocals.
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Music Review >> Adele – ’21’

After listening to Adele’s latest album 21, my first instinct was to stand up and give the album a standing ovation. I don’t think I’ve ever had an album resonate so deeply with me after a first listen.

Adele had quite the hit song on her hands with “Chasing Pavements.” The song was a part of her acclaimed debut album, 19, which led Adele to winning two Grammys, including Best New Artist in 2009.

Adele began working on her new album, 21, while she was on tour in the United States promoting 19. Her tour-bus driver turned her on to “amazing country and blues and rockabilly and bluegrass and gospel” music while on the road. After being introduced to the music of Wanda Jackson, Adele said in a press release that it had a “massive effect, couldn’t help it, it rubbed off on me.”

21, which addresses love, heartbreak and everything in between was inspired from the singer-songwriter’s own love life. Adele said, “I had the most poignant relationship in between these two records. I met him and he was brilliant; it was a really great relationship and it went sour obviously, because I made a bitchy record about him.”

Adele worked with some amazing collaborators on the album, including One Republic’s Ryan Tedder, Paul Epworth, Dan Wilson, Fraser T. Smith, Greg Wells, and Francis “Eg” White. The album was produced by Rick Rubin and Paul Epworth.

It opens with lead single, “Rolling In The Deep.” Described by Adele as “a dark bluesy gospel disco tune,” the song talks about looking back on love and what could have been. I remember the first time I heard it, and I couldn’t believe it was Adele. I knew it was her voice, but the tempo and the melody were so different than anything I had heard her sing before. This song really shows some personality, which was a goal of hers.

“I think I come across moody and serious with my music,” she said, “but, in real life, I’m sarcastic and very cheeky. I really wanted at least one song on this album that was representative of me as a girl, as a person. I don’t think the playful me came across on the first album. It’s important to show growth and development.”

I really think she his this effort on the head with “Rumor Has It.” It has attitude and has a cheekiness to it, which makes it a fun listen. Other standout tracks include “Turning Tables,” “He Won’t Go,” and “Someone Like You.”
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