Author: Kirsten Coachman

Kirsten Coachman is a Writer, Editor, and Arts & Entertainment Journalist from the SF Bay Area. When not listening to music or cheering on the San Jose Sharks, she's probably at the movies. Follow her on Threads: @kirscoachman

Idol Wired >> The Top 12 Guys Kick Off the Semifinals

I have to be honest, the Top 12 guys made me fairly excited for this season of American Idol. After the show ended tonight, I felt better about this show than I have all season long.

The guys, who pre-taped their performances on February 25, brought a lot to the main stage, including big stage jitters and every so often, some talent.

Up first was the Hollywood round bad boy himself, Clint Jun Gamboa. Gamboa chose to sing Stevie Wonder’s “Superstition.” This song needs to locked away with Phil Collins’ “Against All Odds (Take A Look At Me Now),” and Elton John’s “Dont’ Let The Sun Go Down on Me,” and never be allowed to be performed on Idol again. “Superstition” has not done any favors for contestants in the past couple seasons.

Gamboa’s vocals were nothing special. At this point of the competition, the contestants should be showing the audience why the judges picked them. I think Gamboa failed to prove the judges’ point with his performance. Of course, based on their praise of his performance, one had to wonder what concoction had been mixed in their Coca Cola cups.

Gamboa picked an overused song that I believe will send both him and his Harry Potter eyewear packing. He will be the boy who didn’t live to see the finals.

Next up was Jovany Barreto, who performed Edwin McCain’s “I’ll Be.” For someone who exudes so much personality on his Twitter account, this was such a boring song selection.

I must say for the most part Barreto had an okay vocal; I did really like his final note. He was met with a divided judges’ panel. Steven Tyler and Jennifer Lopez loved him, whereas I sided with Randy Jackson, who found the song to be “karaoke.”

I am not entirely sure what possessed Jordan Dorsey to pick one of the most obnoxious and auto-tuned songs to sing in the semifinals. His performance of Usher’s “OMG” made me just cringe. From his vocals to his outfit, OMG indeed.
Continue reading Idol Wired >> The Top 12 Guys Kick Off the Semifinals

Music Video: Charlene Kaye ft. Darren Criss – “Dress and Tie”

Check out the music video for Charlene Kaye’s latest music featuring Glee’s Darren Criss!

Enjoy “Dress and Tie”!

This video is so cute! Charlene and Darren look fantastic!

What do y’all think of the music video?

Music Video: Lady Gaga – “Born This Way”

Check out Lady Gaga’s music video for her latest single, “Born This Way.”

Seriously, I don’t even know where to begin…it’s interesting? To be honest, I could have lived without the beginning part.

Like most Gaga videos, she never makes the video how anyone imagines it will be.

What do you think of the “Born This Way” video?

Music Review >> Adele – ’21’

After listening to Adele’s latest album 21, my first instinct was to stand up and give the album a standing ovation. I don’t think I’ve ever had an album resonate so deeply with me after a first listen.

Adele had quite the hit song on her hands with “Chasing Pavements.” The song was a part of her acclaimed debut album, 19, which led Adele to winning two Grammys, including Best New Artist in 2009.

Adele began working on her new album, 21, while she was on tour in the United States promoting 19. Her tour-bus driver turned her on to “amazing country and blues and rockabilly and bluegrass and gospel” music while on the road. After being introduced to the music of Wanda Jackson, Adele said in a press release that it had a “massive effect, couldn’t help it, it rubbed off on me.”

21, which addresses love, heartbreak and everything in between was inspired from the singer-songwriter’s own love life. Adele said, “I had the most poignant relationship in between these two records. I met him and he was brilliant; it was a really great relationship and it went sour obviously, because I made a bitchy record about him.”

Adele worked with some amazing collaborators on the album, including One Republic’s Ryan Tedder, Paul Epworth, Dan Wilson, Fraser T. Smith, Greg Wells, and Francis “Eg” White. The album was produced by Rick Rubin and Paul Epworth.

It opens with lead single, “Rolling In The Deep.” Described by Adele as “a dark bluesy gospel disco tune,” the song talks about looking back on love and what could have been. I remember the first time I heard it, and I couldn’t believe it was Adele. I knew it was her voice, but the tempo and the melody were so different than anything I had heard her sing before. This song really shows some personality, which was a goal of hers.

“I think I come across moody and serious with my music,” she said, “but, in real life, I’m sarcastic and very cheeky. I really wanted at least one song on this album that was representative of me as a girl, as a person. I don’t think the playful me came across on the first album. It’s important to show growth and development.”

I really think she his this effort on the head with “Rumor Has It.” It has attitude and has a cheekiness to it, which makes it a fun listen. Other standout tracks include “Turning Tables,” “He Won’t Go,” and “Someone Like You.”
Continue reading Music Review >> Adele – ’21’

Idol Wired >> The Top 24 Are Revealed!

Finally, we have 24 contestants moving onto the American Idol semifinals. We’re making progress, everyone! Of course, getting to this point meant sitting through four of the longest hours of my life to find out officially which contestants had made the Top 24.

To be honest (and this might be an unpopular opinion), I thought that first hour of Idol Wednesday night during the Las Vegas round was a huge waste of time. I didn’t care to watch group rounds again, and more than that, I don’t care to hear songs of The Beatles being sung by people other than The Beatles.

This episode we got to see Idol’s in-house mentor Jimmy Iovine sit in on some of the rehearsals, and oh my, I think he’s definitely going to be a presence when it comes to contestants working on their songs. He just got straight to the point and held nothing back. He wasn’t sugarcoating anything or sparing anyone’s feelings. His involvement on the show this season is going to be interesting.

The only two performances from Vegas Cirque du Soleil LOVE stage that I cared for were from Tim Halperin and Julie Zorrilla who performed “Something” and Paul McDonald and Kendra Chantrelle who performed “Blackbird.”

In case I haven’t mentioned it already, I am definitely a fan of Halperin’s voice. His vocals paired wonderfully with Zorrilla’s.

I also really like McDonald’s voice. There’s a James Morrison meets Rod Stewart vibe going on there, and I dig it.

The second hour of Idol Wednesday night was dedicated to revealing a portion of the Top 24. This hour and the two hours on Thursday night were so long, I felt like lifetimes were passing by as the show slowly revealed the Top 24.

The contestants got to perform one more final song, and then they walked down the ridiculously long walkway to sit with the judges to find out if they were in or out.
Continue reading Idol Wired >> The Top 24 Are Revealed!

Music Review >> Glee Cast – “Blame It on the Alcohol”

Glee channeled Jamie Foxx, Human League, George Thorogood, and Kesha in this week’s episode, “Blame It on the Alcohol.” It’s only fitting that the cast of Glee perform “Blame It (On The Alcohol),” since it is where this week’s episode got it’s namesake from.

Kevin McHale (Artie) and Amber Riley (Mercedes) take the lead on the Jamie Foxx hit. They both sound really good. Riley got to showcase a much more controlled vocal than usual. I appreciated that McHale’s voice wasn’t weighed down with auto-tune. Mark Salling (Puck) and Naya Rivera (Santana) also are highlighted on this track. Both of their vocals suit the R&B stylings of “Blame It.” As someone who really likes Foxx’s original track, I found the Glee version to be just as enjoyable to listen to.

Darren Criss (Blaine) and Lea Michele (Rachel) team up for a duet of an amped up version of Human League’s “Don’t You Want Me.” It’s not surprising at all that their voices sound great together. There seems to be a touch of auto-tune going on in the production, but neither singer sounds unrecognizable. Criss’ deep vocals provides a subtle sexiness to the track.

Dot-Marie Jones (Coach Beiste) makes her Glee music debut this week, doing a duet with Matthew Morrison (Will Schuester) on the George Thorogood version of the John Lee Hooker song, “One Bourbon, One Scotch, One Beer.” According to TVLine.com, this was Jones’ first time recording a song ever, and to be honest I think she did a pretty decent job. It was a little strange to hear Morrison singing country, but I liked their duet.

Heather Morris returns to the Glee spotlight, as she takes on Kesha’s monster hit, “Tik Tok.” I was pretty excited when I heard Glee was going to be covering this song, because it’s really fun and upbeat. After hearing the Glee version, I wish they would have just left well enough alone. Morris doesn’t infuse the song with any personality vocally like the original. It just felt like a weird Kidz Bop cover with the backing vocals and the auto-tune. For the most part, I think this week’s tracks were pretty good. The music supervisors did a great job with picking songs that went hand-in-hand with the episode’s theme. Production-wise, I really think Glee dropped the ball with “Tik Tok,” as that song could have sounded so much better.

The music from Glee’s “Blame It on the Alcohol” episode are available now on iTunes. Glee airs Tuesday nights 8:00-9:00 p.m. ET on FOX.

Originally posted on BlogCritics.

‘Glee’ to Debut Original Songs On Latest Compilation Album

Glee: The Music Volume 5 is due out March 8 and will include fan favorite tracks like “Don’t You Want Me,” “Need You Now,” and “Take Me or Leave Me.” The compilation album will also feature Gwyneth Paltrow on three tracks.

In a Glee first, there are two original songs to be found on this latest volume of music. The song “Loser Like Me” was co-written by the one and only Max Martin. The song is described as “an energetic ensemble track.” The song “Get It Right” is a ballad sung by Lea Michele. These two tracks will be featured during the March 15 episode of Glee.

This past week was the show’s biggest sales week since it began, with 880,000 songs downloaded. As a result, seven Glee songs found their way to the iTunes Top Songs chart.

Over 24 million Glee songs have been downloaded to date, and Glee has sold over 9 million albums worldwide. Glee: The Music Volume 1 has been certified Platinum, recognizing sales of over 1 million copies sold.

Glee: The Music Volume 5 will be available a couple of Tuesdays from now (March 8). For more information on music from Glee, check out the official music website.

Glee: The Music Volume 5 Track listing:

1. “Thriller”/”Heads Will Roll”
2. “Need You Now”
3. “She’s Not There”
4. “Fat Bottomed Girls”
5. “P.Y.T. (Pretty Young Thing)”
6. “Firework”
7. “Baby”
8. “Somebody To Love”
9. “Take Me or Leave Me”
10. “Sing”
11. “Don’t You Want Me”
12. “Do You Wanna Touch Me (Oh Yeah)”
13. “Kiss”
14. “Landslide”
15. “Get It Right”
16. “Loser Like Me”

Originally posted on BlogCritics.