Category: As Seen On Blogcritics

Graham Colton Goes Green on His Latest Tour

Singer-songwriter and Oklahoma City native Graham Colton released his latest record, Pacific Coast Eyes Vol. 2, this past October. This new volume of Pacific Coast Eyes includes three new tracks, “Hold Onto My Heart,” “My Resignation,” and “Wide Open Inside,” as well as alternate versions of three previously released tracks.

In support of his latest album, Colton partnered up with CNGnow as a way to advocate for the use of compressed natural gas versus diesel fuel. In addition to driving a CNG-fueled vehicle throughout the tour, the singer-songwriter has been documenting his experience on CNGnow.com.

I recently had the opportunity to speak with Colton, who shared with me his decision to embark on a green tour, what keeps him motivated while writing new material, and the benefits of being an independent artist.

What was the inspiration behind doing this green “Go Natural” tour?

Well, I think it started with just the ever-changing landscape of not only the music business, but the touring business, which is how I made my living and connected with my fans for the last almost-eight years now. It’s really hard to not only tour the country by myself, let alone with a band: to pack everyone in the van, trailer, bus, train, plane, whatever you want to call it.

It really started with me trying to investigate ways that I can not only tour the country, but [do so] cost-effectively. And once I started researching, I started thinking about the environmental aspect, and I came across the CNGnow.com website and what natural gas can do for not only our environment and our alliance with foreign oil, and, really, my pocketbook. It’s been kind of a perfect marriage of the two things.

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Carolina Liar’s Chad Wolf Talks Touring and “Going For Broke” on ‘Wild Blessed Freedom’

Chad Wolf, lead singer of Carolina Liar, discusses touring with David Cook and  Gavin DeGraw and the band’s latest album, Wild Blessed Freedom.
Continue reading Carolina Liar’s Chad Wolf Talks Touring and “Going For Broke” on ‘Wild Blessed Freedom’

James Durbin Discusses His Debut Record, ‘Memories of a Beautiful Disaster’

On November 21, American Idol season 10 favorite James Durbin released his debut record, Memories of a Beautiful Disaster, on Wind-Up Records.

The 11-track album, produced by the highly acclaimed Howard Benson, is a well-crafted mix of rock music. From the roaring “Higher Than Heaven” to the nod to Aerosmith on “Love in Ruins,” to the power anthem “Stand Up,” 22-year-old Durbin proves to be a real contender in the world of rock.

Last week, I had the opportunity to speak with Durbin, where we discussed his debut record, which collaborator he’s learned the most from, and what’s coming up next for him.

How does it feel to have all your hard work out there for people to hear?

It feels great. That’s exactly what it was; it was a lot of hard work. I actually finished the vocals on the record in two and half weeks. It was basically singing three songs a day and getting them finished, having to sing each song 15 times or so to really get the right one. That was a lot of wear and tear on my voice, but it was well worth it.

On the release date, were you more anxious or more excited about your record coming out?

Definitely more excited. Before the release, all my fans were counting down the days, and I was counting along with them. It was very, very exciting. I think it’s more exciting to have it out there. I found out today that I sold 28,000 copies my first week. It’s like, wow, you know? This is like the moment of truth. This is what all the hard work paid off for. It wasn’t just having a record out there, it was really seeing the extent of my fan following. It’s so great to know that I sold that many. It’s unbelievable.

So you had a signing in your hometown of Santa Cruz the day your album was released; what was it like being home on your big day?

It was great. Not only that, but one of my favorite things to do is to see all my fans; just to see all my fans face to face, see who’s buying this record, getting to thank them and shake their hand. And be like, “You know what, thank you so much for your love and support. It means so much to me, it means so much to my family.” This has been my dream. And now my dream’s come true. I get to work in music and support myself and support my family in the process. That’s all I’ve ever wanted.

Continue reading James Durbin Discusses His Debut Record, ‘Memories of a Beautiful Disaster’

Music Review >> Glee Cast – “I Kissed a Girl”

I must admit that this week’s Glee tracks are possibly the best collection of songs they’ve put together for a single episode in awhile. The running theme of the songs is “by ladies and for ladies,” as declared by Cory Monteith’s character Finn Hudson during this week’s episode.

You can’t have an episode called, “I Kissed a Girl,” without having one of the tracks this week be Katy Perry’s hit, “I Kissed a Girl.” I mean, I guess you could, but Glee loves them some Katy Perry music, so it was kind of inevitable. Taking the lead on this track is Naya Rivera (Santana) and Lea Michele (Rachel). Granted, Glee didn’t do anything particularly special with the arrangement, but the song is just as much fun to listen to as Perry’s original.

Rivera really gets to show off her vocal prowess alongside Idina Menzel (Shelby) on KD Lang’s “Constant Craving.” I feel like with each episode that Rivera gets pushed a little more to show how talented she is, and what better way to prove it than pairing her up with Menzel. Both individual vocal performances were impressive and when combined, the two singers sound just stunning.

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Music Review >> Glee Cast – “Mash Off”

Among my favorite moments in each season of Glee have been the episodes that highlight song mash-ups. This season’s mash-ups for the most part lived up to their predecessors and one particular track stood out as probably the best mash-up Glee has ever done.

In an episode chock full of medleys, Mark Salling’s (Puck) take on Van Halen’s “Hot For Teacher” was the only solo track. I don’t think Salling gets enough credit for his vocal versatility. He showed a more vulnerable side of his voice earlier this season on a Foreigner track and, this week, we got to hear more depth and fullness in his singing. I think this was one of the better vocal performances we’ve gotten from him, actually. Cory Monteith (Finn) could also be heard on the track, and his voice pairs nicely with Salling’s.

On to the mash-ups, Idina Menzel (Shelby) and Matthew Morrison (Will) sang a medley Lady Gaga’s “You And I” and the Eddie Rabbitt/Crystal Gayle duet “You And I.” On paper, one wouldn’t think this could work, but surprisingly it does. I’m not sure that I’m quite sold on the pairing of Menzel and Morrison as duet partners, however. That said, I liked that Menzel had the bulk of the mash-up, because she really redeemed herself from season one’s recording of Gaga’s “Poker Face,” of which I was never a huge fan. Overall, I found the double dose of “You And I” to be a success.

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Music Review >> Daughtry – ‘Break The Spell’

Daughtry is back with their latest studio album, Break The Spell. The album was released on November 21, which happens to be five years to the day that they released their self-titled record, back in 2006.

The band (Chris Daughtry, Josh Steely, Brian Craddock, and Josh Paul) made a conscience decision to go into studio without preconceived notions about what was going to result from the writing sessions.

“We said, ‘Let’s just write and see what happens,'” lead singer Chris Daughtry said in the band’s press release. “We came up with some pretty interesting tunes that sound nothing like anything we’ve done before. Even though some of them didn’t make the album, the process stretched us and took us to new places. It was an absolutely inspirational experience.”

Working with producer Howard Benson, who also produced the band’s first two albums, Daughtry co-wrote the entire album with his fellow band mates, as well as collaborating with Marti Frederiksen, Busbee, and Brett James. It was Benson who encouraged the band to think outside of the box with their new tunes.

“Howard called me and said he had some ideas for what we needed to do to differentiate this album. He said, ‘I really think we need to push ourselves,'” Daughtry shared in the band’s bio.

And push themselves, they did. Break The Spell is harder rock music mixed in with Daughtry’s classic sound that the core fan base has grown accustomed to over the years.

The in-your-face track “Renegade” leads off the album with high energy guitar riffs and Chris Daughtry’s intense vocals. This is a side to the band that I felt was starting to show itself on their last album, 2009’s Leave This Town, but now has fully come to fruition. Roaring on, the guitar-laden “Outta My Head” is bold step in a rockin’ direction. The gritty rocker contains one of the catchiest choruses on the album and is sure to get the audience moving at live shows.

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Music Review >> Stephen Kellogg and The Sixers – ‘Gift Horse’

Last month, Stephen Kellogg and The Sixers (Kit “Goose” Karlson, Brian “Boots” Factor, and Sam “Steamer” Getz) released their fifth studio album, Gift Horse. It’s the band’s second release with Vanguard Records.

“There’s the old saying, ‘Don’t look a gift horse in the mouth,’ which translated as showing appreciation for what you have,” Kellogg commented in the band’s press release.

“That’s exactly what this record’s about – appreciation that I have a job right now in 2011, with all that’s going on economically in our country; appreciation for my family, because there’s nothing that I value more; and appreciation of America in general.”

Produced by Mark Weinberg, the songs on Gift Horse have a classic rock, almost Americana kind of vibe about them. You can tell by just how these songs were written from personal anecdotes. The entire album plays out like a collective book of stories on life and family.

Kellogg has taken his storyteller writing style and really captured moments within his life and turned them into meaningful music. This is demonstrated on tracks like the uptempo “1993,” which is the story of how he and wife met and fell in love and “Noelle, Noelle,” which is written in admiration of his daughter, which is probably the sweetest song on the record. In songs such as “Gravity” and “Roots and Wings,” Kellogg sings of lessons learned from his family.

Gift Horse’s lead single, “Gravity,” is an upbeat tune about enjoying and appreciating the life you have now, instead of worrying about what lies ahead. I like that the arrangment really fits the song; coming off lighthearted and fun and truly drawing that picture of leaving your woes at the door and enjoying what’s right in front of you.

“Roots and Wings” is one of my favorites on the record. The song speaks to doing the best you can with your kids, but when the time comes to let them off to explore the world, you handle the change as best you can. Arrangement-wise, the song has a very anthem feel to it; I can see it being a great track to hear performed live.

Music Review >> Glee Cast – “The First Time”

This week’s episode of Glee, “The First Time,” features the cast covering music from the acclaimed musical West Side Story and the return of the Warblers.

Lea Michele (Rachel) and Darren Criss (Blaine), who on the show are playing Maria and Tony in McKinley High’s production of West Side Story, are highlighted on tracks “Tonight” and “One Hand, One Heart.”

In general, I think that Lea Michele can handle whatever piece of music is thrown her way, so it should be no surprise that she reigns supreme on these two tracks. Over the past couple seasons, listeners have been made aware of just how truly talented she is, and with these songs she packs a one-two punch. And Criss is no slouch, either. His voice comes across strong and pure on both tracks. He demonstrates a lot of vocal control and sounds wonderful in contrast to Michele.

Naya Rivera (Santana), whose character also took part in the production as Anita, also pairs up with Michele this week for a duet. Both singers showcase their strong points during “A Boy Like That.” Michele’s voice ascended to operatic heights during the song, however, I’m going to give the edge to Rivera, who proves she can offer the show so much more than the occasional Amy Winehouse cover. She really captures the drama of that scene between Anita and Maria in her voice and it translates beautifully to the ears.

Rivera’s vocal performance on both “A Boy Like That” and “America” are truly standout moments for her this week. I would go out on a limb and say this is the best she has sounded throughout her entire time on the series. Rivera displays rich vocals that are full of personality and pizazz. These songs allow for the singer to show some range and depth to her voice, which is a joy to listen to.

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Music Review >> Patrick Stump – ‘Soul Punk’

Last month, Patrick Stump (formerly of pop-punk band Fall Out Boy) debuted Soul Punk, his first full-length solo endeavor. This record taps into a much funkier side of Stump than what fans are accustomed to hearing from the singer.

In an interview with Alternative Press, Stump was candid about the music he made with Fall Out Boy and other collaborators. “At no point in any of this has it been my thing,” he stated. “I’ve never had my thing. I wanted to do my thing, and I wanted to do it my way… I wanted to set the tone for the future. [Soul Punk is] kind of like a calling card.”

Take one listen to Soul Punk’s opening track, “Explode,” and you will at once realize that this is not the Stump we all knew from Fall Out Boy. Rather, he’s emerged here as a pop/R&B/hip-hop dynamo to reignite appreciation for the art of music.

Really putting a stamp on his identity as an artist, Stump wrote and produced the entire record. He also played every instrument, including drums, bass, guitar, analog synth, piano, percussion, trumpet, saxophone, and mandolin — just to name a few.

Channeling his musical influences throughout the record — among them Prince, David Bowie and, obviously, Michael Jackson — Stump successfully manages to cross multiple genres. There’s hip-hop, R&B, and a little bit of rock thrown in that creates a record that the singer described as “hopefully smart pop” to Virgin.com’s Red Room.

“I wrote a lot of songs that on the surface sound like they’re very vapid and, you know, silly songs,” he explained. “But then I subverted in them a lot of meanings and a lot of things. It’s a very political record, but I disguised them as drinking songs or sexy R&B songs.”

Continue reading Music Review >> Patrick Stump – ‘Soul Punk’

Music Review >> Glee Cast – “Pot O’ Gold”


Glee returns this week with its latest episode, “Pot O’ Gold.” The episode features five tracks, two of which are sung by one of the winners of The Glee Project, Damian McGinty, who is making his official debut on Glee as Rory Flanagan.

Naya Rivera (Santana) and Amber Riley (Mercedes) take on Christina Aguilera’s hit “Candyman” this week. It’s definitely a song that allows Rivera and Riley to showcase their vocals, being that they both have big voices with great range. I love this song because it’s so fun and bubbly, but when it comes down to it I would rather listen to Aguilera’s original. I don’t feel like either Glee singer brings anything new to it to distinguish it from the original. And let’s be real: no one can hit that last big note like Aguilera can.

Just when I had finally gotten Katy Perry’s “Last Friday Night (T.G.I.F.)” out of my head, Darren Criss (Blaine) manages to drill it back into my brain. Glee really doesn’t divert from the original track, but having a guy take on the lead vocal breathes new life into the song. Criss is an excellent choice to take the reins on this one, because not only does he have the most pop voice out of all the guys in the cast; he’s got a great track record of turning Perry’s songs into Glee hits. His cover of “Teenage Dream” went on to be Glee’s biggest-selling song last season. I can only imagine how long it will take for this latest track to become the show’s next big top seller. Continue reading Music Review >> Glee Cast – “Pot O’ Gold”